The Modern Art Center in Tashkent (CCA Tashkent) is scheduled to open on September 6th. It is located in the historic building of a former diesel power plant, constructed in 1912, and will become the first cultural venue of its kind in the region. This center aims to unite local and international art communities by hosting exhibitions, educational programs, and scientific research.
Gayane Umerova, Chairman of the Uzbekistan Fund for Culture and Arts Development, emphasized the significance of the opening for the development of the country's cultural infrastructure and the realization of the fund's long-term plans to form a stable ecosystem for contemporary art. According to her, CCA Tashkent will be a meeting place for artists, curators, researchers, and representatives of various groups, allowing local art to enter into a full dialogue with the global cultural environment.
The reconstruction of the building, whose initial design was developed by Wilhelm Geinselman, head of the construction department of the Turkestan Region, was entrusted to the Parisian architectural bureau Studio KO. The architects' task was to demonstrate the interaction between the old building and the new structure that appeared on this site. The concept of the renovated center was presented at the international fair Art Basel in Paris in October 2025 as a model.
CCA Tashkent is designed as a multifunctional space that, in addition to exhibition halls, will include a library, educational zones, as well as a restaurant and a concept store.
Dr. Sara Raza has been appointed as the Artistic Director and Chief Curator of CCA Tashkent. Previously, she worked at the Tate Gallery in London and the Solomon R. Guggenheim Museum in New York. On September 6th, under her leadership, the center's first exhibition, titled Hikmah (which translates from Arabic as 'wisdom'), will open. This exhibition focuses on the intersection of traditions, material culture, and contemporary artistic methods.
The exhibition will feature works by artists from Uzbekistan, as well as from Saudi Arabia, France, Germany, the USA, and South Korea. Additionally, visitors can view works by Vladimir Pan, Daribay Saipov, and Bakhtiyar Saipov, which belong to the I. V. Savitsky State Museum of Arts. The sound design will be provided by CCA Tashkent's music curator, Sabina Inoyatova.
The program for September 6th includes a series of events: at 11:00, activities related to the Hikmah art works will take place for children; at 12:00, there will be a discussion with Dr. Sara Raza together with Nari Ward and Tarik Kisvanson; at 13:00, poetry readings for children and a sculpture master class inspired by Nadia Kaabi-Linke's installation 'Flying Carpets' are planned. From 14:00 to 16:00, screenings of the films 'Kimsuja: Thread Routes — Chapters I-VII | M+ Museum' and 'Ali Cherry — The Digger' will take place. The evening program includes performances by Avaaz at 16:00, Lilo at 18:00, and 'Shashmakom. Method' at 20:00.
The day before, on September 5th, an exhibition BENCHELLAL, MONUMENTAL | Sculpting Past Tomorrow will be held at the State Museum of History. It will showcase a collection by the Dutch designer and Moroccan-origin couturier Mohamed Benchellal, created during his stay at the art residency in Tashkent and inspired by Uzbek artisanal traditions and architectural heritage.
In September, besides two existing residencies, a new residency will launch in Samarkand in Tashkent. The program in Samarkand will focus on interdisciplinary exchange and research related to the city's rich history and culture. The center will also continue its cooperation with the Architectural Association's visiting school (AA Visiting School). From September 4th to 14th, the AA Visiting School: Climate Cartographies in Samarkand will take place at the Samarkand residency, featuring lectures, workshops, and research routes dedicated to the connection between climate, cultural heritage, and the cosmos in the context of Samarkand's history. Scientists, architects, artists, and historians will participate in the project.


