Iran to present three intangible heritage nominations at UNESCO meeting in China
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Tehran Times
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Iran to present three intangible heritage nominations at UNESCO meeting in China

Iran intends to submit three applications for inclusion in the UNESCO Intangible Cultural Heritage lists at the 21st session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage. This meeting is scheduled for November 30 – December 5 in the city of Xiamen, China.

These nominations cover the traditional celebration of Tirgan, dedicated to water and rain; the traditions of lullabies and singing for children; and the traditional art of felt making. This was reported by Hassan Fartusi, Secretary-General of the Iranian National Commission for UNESCO.

In an interview with the IRNA agency on Wednesday, Fartusi specified that the Tirgan nomination was prepared jointly with Armenia, and the package of documents for lullabies and singing for children will be presented jointly with Turkmenistan.

He described the lullabies as a cultural heritage passed down from generation to generation and expressed hope that all three applications will receive recognition from UNESCO.

Fartusi also noted that representatives from the Iranian National Commission for UNESCO, the Ministry of Foreign Affairs, and the Ministry of Cultural Heritage, Tourism, and Handicrafts, as well as experts who participated in preparing these dossiers, will attend the meeting.

Currently, Iran has 27 elements and programs registered in the UNESCO Intangible Cultural Heritage lists. According to Fartusi, if all three new nominations are approved, the total number will reach 30, placing Iran fourth in the world in terms of registered elements and programs.

Iran's latest entry is the traditional art of mirror mosaic in Iranian architecture, which was added to the UNESCO Intangible Cultural Heritage list in 2025.

The country's internationally recognized intangible heritage includes a wide range of traditions, performing arts, crafts, rituals, and traditional knowledge passed down through generations.

Among the most famous entries are Nowruz, the Persian New Year; the festivals of Mehregan and Sade; the Night of Yalda; traditional wrestling and Zarkhaneh rituals; Ta'zieh, a form of religious theatrical performance; Naqqali, traditional Iranian storytelling; and Radif of classical Iranian music.

Other included elements include the music of Bahshi performers from Khorasan, the art of making and playing the dotar and kamancheh, the traditional game Chogan, and miniature painting art.

Iran's intangible heritage also includes the skills of traditional carpet weaving in Fars and Kashan, the Kalishuyan ritual in Mashhad-Ardehal, traditional Iranian shipbuilding and navigation skills in the Persian Gulf, and cultural practices related to the preparation and exchange of traditional bread.

The list additionally includes illumination art, Turkmen handicrafts, the traditional skill of making and playing the oud and rabab, traditional sericulture and silk production, and pilgrimage to St. Thaddeus Monastery.

In addition to individual heritage entries, Iran's national program for preserving traditional calligraphy was included in the UNESCO Register of Best Practices for Preservation in 2021.

Naqqali and the traditional skills of building and navigating Iranian Lenge boats are also listed in the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding.

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Rafsanjani Presidential Museum Added to Iran's National Heritage List

The head of provincial tourism announced that the building housing the document center, library, and Akbar Hashemi Rafsanjani Presidential Museum in Rafsanjan city, Kerman province, has been included in Iran's national heritage list.

Seyed Moayyad Mohsennejad stated on Tuesday that the building received registration number 34569 after the completion of preparing the registration dossier and its approval by the National Council for Heritage Registration.

He emphasized that such inclusion recognizes the national and historical significance of the building, adding that state registration plays a key role in identifying, documenting, and protecting the country's cultural and historical values.

Mohsennejad noted that registering heritage sites goes beyond simply preserving individual buildings; it is a way of preserving historical memory and cultural identity, as well as passing these assets on to future generations.

Furthermore, he added that accounting for historically significant places and structures can stimulate increased attention to their cultural and historical potential, supporting the development of cultural tourism in Kerman province.

The Rafsanjani Presidential Museum was established to collect and preserve official and unofficial gifts presented to the Iranian government by individuals, organizations, and foreign states during Ayatollah Akbar Hashemi Rafsanjani's presidency from 1989 to 1997.

The museum's collections include items of national importance and documents related to Iran's diplomatic relations. These materials are considered part of the nation's documentary heritage and are under the supervision of the National Library and Archives of Iran.

The building itself has three main floors and two mezzanines, with a total area of about 5000 square meters. The architectural design incorporates a sphere and a cube, with most of the usable space located between these geometric forms, except for part of the basement under the central courtyard.

Uzbekistan presented eight artifacts at the Global Antiquity exhibition in Milan
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Uzbekistan presented eight artifacts at the Global Antiquity exhibition in Milan

Uzbekistan participated in the international exhibition Global Antiquity, which opened on November 5th at the Prada Foundation in Milan. Eight museum artifacts from Uzbekistan were presented at this exhibition.

The exhibition is dedicated to studying cultural exchange between Asia and the Mediterranean, spanning over 1600 years. The exhibition brings together more than 150 works of art and historical artifacts demonstrating centuries-old connections between the regions of Eurasia.

Curation and Design

Salvatore Settis, Anna Anguisola, and Chiara Ballestracci served as curators for the exhibition. The architectural and spatial design of the exhibition was developed by the studios Rem Koolhaas and AMO/OMA.

Exhibits Presented

The Art and Culture Development Fund of Uzbekistan (ACDF) provided eight items from its museum collections. Among them are a sculptural depiction of a prince from Khalchayan, reflecting the artistic heritage of ancient Bactria, as well as seven chess pieces found in Afrasiab.

These exhibits illustrate the material culture of the region and serve as evidence of the development of the population's intellectual life during that historical period. The Global Antiquity exhibition will be available at the Prada Foundation in Milan from November 5, 2026, to March 1, 2027.

Iran Returns 151 Historical Artifacts from China After Exhibition
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Iran Returns 151 Historical Artifacts from China After Exhibition

The Cultural Heritage of Tehran province reported on Tuesday that Iran has received back 151 historical artifacts that were loaned to China for a series of exhibitions. All items were returned in good condition after almost two years.

Ali Toluei, Director General of the Department of Cultural Heritage, Tourism and Crafts of Tehran, specified that the artifacts arrived in Iran on Tuesday after completing their tour of exhibitions in China, which included a final exhibition in Dalian.

After passing customs procedures and interdepartmental coordination, the collection was transferred to secure storage. Staff and experts ensured compliance with preservation and security requirements, according to ISNA.

These items were lent by the Iranian Ministry of Cultural Heritage, Tourism and Handicrafts in 2025 for an exhibition titled 'Land of Love.' The exposition began in January 2025 at the Sichuan University Museum.

The collection featured exhibits from several renowned Tehran museums, including the Reza Abbasi Museum, the Museum of Glass and Ceramics, the Carpet Museum, the National Art Museum, and the Moghadam Museum.

The objects cover a wide historical period, from the third millennium BCE to the Islamic era, and include metal, ceramic, and glass items, textiles, and carpets, demonstrating the diversity of Iran's cultural heritage.

Initially, the exhibition was supposed to last six months under a government-approved agreement. Leila Hosravi, head of the country's museum department, had previously indicated that the exhibition concluded in June 2025; however, the return of the artifacts was postponed for several months due to the twelve-day war with the Israeli regime. Subsequently, China requested an extension, which was approved by the Iranian government.

Toluei noted that the successful return of the collection required close cooperation between the Ministry of Cultural Heritage, state agencies, airport customs staff, and the Cultural Heritage Protection Department. He also thanked Chinese authorities for hosting the exhibition and acknowledged the efforts of museum directors, specialists, and experts involved in organizing and supporting this cultural event.

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