Embassy of the Republic of Korea in Iran Holds Korea-Iran Art Exhibition as Part of Korea Week 2026
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Tehran Times
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Embassy of the Republic of Korea in Iran Holds Korea-Iran Art Exhibition as Part of Korea Week 2026

As a vibrant display of cultural diplomacy, the Embassy of the Republic of Korea in Iran, led by Ambassador Kim Junpyo, organized a VIP ceremonial opening of the Korea-Iran art exhibition at the Ambassador's Residence on November 5 as part of the Korea Week 2026 event.

The exhibition was held under the slogan 'Life, Love, and Culture' and was organized with the participation of the Embassy of the Republic of Korea in Iran, the Tehran Visual Arts Association, the Tandis Culture and Art Foundation, and the L’Art International Institute. Cooperation in the project was provided by the Government of Yazd Province and the National Museum of Modern and Contemporary Art of Korea. The Embassy's Cultural Department, under the direction of Dr. Ok Nara, made a significant contribution to the success of the exposition.

The exhibition features about 80 works created by artists from Iran and Korea. Over 200 guests attended the VIP opening on November 5 at the Ambassador's Residence, including members of the diplomatic corps from more than 20 countries, prominent figures in cultural and artistic spheres, the participants themselves, and influential individuals.

Celebrating Life, Love, and Culture

The evening united art, memory, and friendship in an atmosphere reflecting the depth of cultural exchange between Korea and Iran. Ambassador Kim Junpyo delivered a speech in which he expressed joy at the renewed connection of Korean and Iranian art following last year's calligraphy exhibition. He thanked all participants and guests, emphasizing that the exhibition within Korea Week is dedicated to the theme 'Life, Love, and Culture'—what unites people regardless of their origin.

The Ambassador particularly highlighted the significance of the number forty (Chehel) in Persian culture, which symbolizes maturity, completion, and fulfillment. In this regard, 40 Korean and 40 Iranian works of art were gathered to celebrate friendship between the peoples. He reported that due to the current regional situation, Korean artists could not attend in person, so the 40 Korean works are presented from the collections of the Embassy and the Residence.

The Iranian collections include 30 paintings and calligraphic works, as well as 10 sculptures created by 40 artists. The Ambassador expressed gratitude to four friends: Master Abdolreza Rabati, Dr. Tandis Taghavi, Master Asiye Ghonezadeh, and Ms. Afsaneh Hajimoradi, whose work made the exhibition possible.

He specifically noted the work of Dr. Tandis Taghavi, who connected Hunminjeonggeum, a historical text on the creation of the Korean alphabet, with the tradition of Persian calligraphy. In the context of celebrating the 100th anniversary of Hangeul Day, her work reminds us of a similar love for beauty and human communication despite differences in alphabets. The exhibition goes beyond painting and sculpture, offering visitors a chance to see the traditional Korean Hanbok, textiles from Yazd, and a special musical performance by the Iranian a cappella group ADAK featuring songs from both countries.

The Ambassador also thanked the delegation from the Government of Yazd Province for their visit. He concluded his speech by stating that art transcends borders and requires no translation, and the exhibition serves as a bridge connecting nations.

Voices of Friendship and Joint Creativity

Following the Ambassador's speech, Dr. Tandis Taghavi, who is the Cultural and Artistic Ambassador at the Asian Center for Cultural Coordination, and Master Abdolreza Rabati, Director of the Pishro International Institute of Art, also spoke, deepening the theme of intercultural friendship. Guests enjoyed various cultural activities: trying on traditional Korean Hanbok, performances by K-pop and the Iranian a cappella group, including the songs 'Golden' and 'Baby Shark', as well as photo zones featuring major Korean landmarks such as Seoul, Busan, Jeju, Gyeongju, Andong, and Soraksan. The atmosphere was filled with warmth, discovery, and mutual appreciation.

A Week of Culture, Tourism, and Strong Ties

The exhibition is taking place at the Ambassador's Residence; the VIP opening took place on November 5, and the public viewing is scheduled for November 6 and 7. It is expected that about 1000 people will be able to attend the event by pre-registration through the Embassy's social media. Furthermore, as part of Korea Week, the Embassy will hold the first Korea-Iran ecotourism seminar in Tehran on November 6 to promote cooperation between the two states in the field of ecotourism.

Guests highly appreciated this initiative from the Korean Embassy. The Embassy of the Republic of Korea, under the leadership of Ambassador Kim, is constantly and actively involved in cultural events, strengthening bilateral relations, including the previous Korea-Iran calligraphy exhibition. As the Ambassador recalled, 'In a vibrant celebration of cultural diplomacy, the Embassy of the Republic of Korea in Tehran held the Korea-Iran calligraphy exhibition on October 23, 2025. This event, held at the Ambassador's Residence, marked the 63rd anniversary of diplomatic relations between the two nations, transforming the venue into a crossroads of artistic tradition and modern friendship.'

As the Residence opens its doors to the general public, the Korea-Iran art exhibition serves as proof of what art can achieve when allowed to speak through languages, borders, and histories. Every painting, every calligraphic line, every sculpture, song, and shared moment reminds us that friendship requires no translation, and the true beauty of culture lies in the bridges it builds between people.

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TMoCA Exhibition Explores the Representation and Conceptualization of Iran in Artworks
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TMoCA Exhibition Explores the Representation and Conceptualization of Iran in Artworks

The Tehran Museum of Modern Art (TMoCA) will present an exhibition titled 'In Search of Iran: From the Collection of the Tehran Museum of Modern Art,' which opens on Saturday afternoon. According to Mehr, the exposition analyzes how the concept of 'Iran' is presented and understood through the lens of works by various artists held in TMoCA.

The exhibition touches upon the national significance of the TMoCA collection in the history of modern Iranian art, examining the diverse ways in which artists experience and interpret 'Iran.' A statement for the exhibition reads: 'We are not asking which work is more Iranian; rather, we are asking how Iran has served as an object of vision and representation, and how it persists in modes of seeing and creation. The exploration of Iranian identity in this exhibition begins with the unique experience of the artists—an experience that is sometimes explicitly the subject of the work, and sometimes manifests in the style of expression and construction. Belonging to Iran can be accompanied by memories of place, daily life, migration, or a sense of loss, taking various forms in each artist's work.'

'The 'In Search of Iran' exhibition invites the viewer to reconsider their own perception of Iran when encountering these works. In these pieces, the soil sometimes becomes the material of the work itself, writing transforms into a mode of seeing, and objects retain traces of life and human memory. The presence of familiar symbols does not predetermine the meaning of the work, just as their absence does not necessarily imply a detachment from the Iranian experience.'

The exposition is divided into seven sections, each curated around a specific question, offering the viewer parallel paths for interpreting the artworks. These paths do not follow the chronological sequence of art history; instead, visual and conceptual connections between the works allow for exposure to different interpretations. From this perspective, no single landscape, face, or motif serves as the sole representative of the Iranian experience.

More than one hundred pieces from the collection of modern Iranian art will be featured in the exhibition, including works by artists such as Sohrab Sepehri, Parviz Tanavoli, Parviz Kalantari, Hossein Zenderoudi, Farah Osuli, Reza Maafi, Mohammad Ehsaei, Bahman Mohasses, and others. The exhibition will be open to the public from Sunday until mid-December.

Founded in 1977, the museum houses over 4000 exhibits, including world-class Iranian, European, and American paintings, engravings, drawings, and sculptures from the 19th and 20th centuries. As the largest collection of Western art in the East, it encompasses works from almost all artistic periods and movements.

The museum was designed by Iranian architect Kamran Dibay, who incorporated elements of traditional Persian architecture. The building itself can be seen as an example of contemporary art in the style of the underground Guggenheim museum. Most of the museum grounds are underground, featuring a circular path descending below and galleries branching outwards. In the museum gardens, Western sculptures by artists such as Ernst, Giacometti, Magritte, and Moore can be found.

Tehran hosts international exhibition of mining, construction, and related industries
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Tehran hosts international exhibition of mining, construction, and related industries

The 20th International Exhibition of Iranian Mining, Construction Equipment, and Related Industries (IRAN CONMINE 2026) opened in Tehran. The event began on Wednesday with the participation of Mohammad Reza Bahramian, Chairman of the Iranian Mining House, Kasra Nouri, CEO of the Iranian International Exhibition Company, as well as ambassadors from Saudi Arabia, Tajikistan, Kazakhstan, and Indonesia, a representative from the Russian embassy, members of the Iranian Chamber of Directors, and industry specialists.

During the ceremony, Mohammad Reza Bahramian emphasized that this exhibition is a crucial event for the country's mining sector and plays a significant role in achieving the state's economic goals. He noted that IRAN CONMINE serves as a platform for exchanging experience between domestic and foreign figures, developing international cooperation, and seeking new investment opportunities in mineral extraction.

The Chairman of the Iranian Mining House announced that under the Seventh Development Plan, the mining sector is projected to grow by 13 percent. This year's exhibition will focus primarily on finding practical solutions to achieve this goal and removing obstacles to the industry's development. Bahramian also announced an approximate 30 percent increase in the number of exhibitors compared to the previous edition, noting that through planning and optimal management of the exhibition space, it was possible to attract more companies and specialists covering the entire value chain in the mining industry—from exploration and extraction to processing.

Highlighting the international nature of the event, Bahramian stated that representatives from 36 countries will participate in this edition, and the presence of ambassadors and foreign economists will help strengthen international ties and expand cooperation in the mining industry. He also drew attention to the difficulties associated with sanctions, noting that overcoming these conditions requires realistic solutions and political stability, as well as attention to the sector's real and potential capacity.

According to an IRNA report, the 20th International Mining Exhibition of Iran took place over four days at the permanent site of the Tehran International Exhibition, with the participation of 128 domestic and foreign companies. Foreign participants included representatives from China, Japan, and India. IRAN CONMINE functions as a specialized event for the mining industry, showcasing equipment, machinery, products, and services related to mineral extraction.

At the beginning of September, the CEO of the Mining Investment Insurance Fund reported that the fund supports 960 private mines, and 2,815 mining machines have been allocated for procurement and modernization. Ali Khatibi explained in an exclusive interview with IRNA that most operating mines are in the hands of the private sector. Of the total 6,451 operating mines, 6,005 belong to this sector, and the fund has already provided support to 960 mines by issuing credit insurance policies. The purpose of this support is not only to provide financial resources but also to reduce investment risks, which allows mines to be equipped, production capacities to be increased, and production continuity to be guaranteed.

The CEO of the Fund also pointed out exploration as one of the riskiest stages of mining activities. The Fund has insured 1,141 exploration zones, and in the Iranian year 1404 (starting March 2025), 33 exploration investment policies were issued, under which over 65,000 hectares of covered areas entered the exploration phase. Khatibi added that reducing exploration risk enables investors to conduct operations such as drilling and trenching with greater confidence, increasing the probability of discovering and developing new reserves. The Fund also focuses on supporting deep drilling, especially operations at depths exceeding 1,000 meters.

Another area of the Fund's support is equipment modernization. Furthermore, at the end of July, a representative from the Ministry of Industry, Mining, and Trade announced the reactivation of 1,200 inactive mines in the country. A basis was laid for broader private sector participation in the mining industry by delegating some headquarters powers to provinces, streamlining administrative procedures, and offering investment packages.

Ezzatollah Zarei noted in an interview with IRNA that state financial resources alone cannot meet the sector's needs. Therefore, it is necessary to create economic attractiveness and pool resources to attract the private sector to exploration and exploitation of deposits. He emphasized that developing private investment benefits both economic entities and government interests, as mine operation generates revenues such as state royalties, ownership rights, and taxes.

Zarei also stated that the mining industry, alongside the oil industry, can play a significant role in the country's economy. He clarified that the mining industry cannot completely replace oil but has the potential to occupy a larger, or even larger, share in the economy and revenue generation alongside oil. The representative of the Ministry of Industry, Mining, and Trade, citing the goals of the Development Program Law, stated that the mining sector's growth should reach 13.5 percent by the end of the period. Measures have been initiated to achieve this goal, including mine activation, infrastructure development, and simplifying the investment process. Specifically, 1,200 inactive mines have been reactivated, and some powers related to mining areas, inactive mines, and permit transfers have been delegated to provinces to accelerate decision-making.

Review of Art Exhibitions in Tehran Galleries
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Review of Art Exhibitions in Tehran Galleries

A number of art exhibitions are currently taking place in various galleries across Tehran. At the CAMA – Contemporary and Modern Art Gallery, an exhibition of paintings by a group of artists is being shown, running until November 2nd. This gallery is located at: No. 44, 10th Golestan, Pasdaran St.

Kavin Gallery is hosting an exhibition of Shahro Babaei's paintings. The exhibition, titled 'Nightfall,' will be available to visitors until November 6th. The gallery is located at: No.24, Pesian St. Zaferanieh Neighborhood.

Keiman Gallery features Farnaz Bagban's paintings under the title 'The Regression 2.' This exhibition concludes on November 2nd and is located at: 10 Akhgari St. in the Elahieh district.

Bashgah Gallery is hosting an exhibition of works by several artists, titled 'Someday, You’ll Remember.' This exhibition runs until November 6th and is located at: No.13, Hosseini St., Karim Khan Ave.

Shokuh Gallery is featuring Farrokhht Kiaiemehr's paintings, which will end on November 2nd. The gallery is located at: 19 Amir Nuri Alley, North Salimi St. off Andarzgu Blvd.

Atbin Gallery currently displays Fatemeh Kasraian's paintings under the title 'Voyage to Nowhere.' The exhibition will continue until November 3rd and is located at: 42 Khakzad Alley, Vali-e Asr Ave. near the Parkway Intersection.

Hoor Gallery is holding an exhibition of Samila Amir-Ebrahimi's paintings, which will run until November 13th. The gallery is located at: 12 Naeimi Alley, North Mirza Shirazi St., off Motahhari Ave.

Maria Beygi's collection of paintings is exhibited at 009821 Projects Gallery under the title 'The Nest of Fire.' This exhibition concludes on November 3rd and is located at: No. 25, 18th Alley, Kheradmand St., Karim Khan Ave.

Mohammad Nouriyan's paintings are presented at Negar Gallery. The exhibition will run until November 6th and is located at: No. 5, Bahrami alley, Mashahir Street, Qaem Maqam Farahani Avenue.

Aria Gallery is also hosting an exhibition of Panteh Bayat Mohtari's paintings. This exhibition will conclude on November 2nd and is located at: No. 10 Zarrin Alley, near Beheshti St., Vali-e Asr Ave.

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