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A theatrical reading of the play 'Arash' by the renowned Iranian playwright and film director Bahram Beizai is scheduled in Tehran. The event will take place at the Neauphle-le-Château theater hall on Saturday, October 31st.

The production is directed by Mortaza Sabahi and produced by Davoud Namvar. The organizing group is the Qalamro theater group. According to Mehr, the performance will feature actors accompanied by a live musical ensemble.

The work is based on Beizai's creative output, and its title is taken from Iranian mythology—Arash, the legendary archer whose sacrifice is linked to defending the homeland and the resolve of its people.

The cast of the reading includes Mohammad Hossein Navai, Kasra Farahnak, Soheil Semyari, Nastaran Zeynali, Kimia Akbari, Aida Berendji, Maryam Kamali, Shiva Bahrampour, Saba Jafari, Sogand Dadar, and Amir Farazi.

The musical collective will be led by Ehsan Samani-Manesh, who will also perform percussion and other musical instruments. The group will be joined by the kamancheh player Mehrapad Zahmatkesh, providing live musical accompaniment.

Arash, known in Persian mythology as Arash-e Kamangir, is one of the most revered heroic figures in Iranian cultural tradition. His story is preserved in various forms in Persian literature and mythology and has become a symbol of self-sacrifice, courage, and devotion to the homeland.

According to the most well-known version of the legend, Iran and Turan were engaged in a devastating war. After many years of conflict, both sides agreed to settle the dispute by defining a new border. The agreement stipulated that the Iranian archer must shoot an arrow, and where this arrow lands would become the border between the two lands. Arash was chosen to carry out this task.

The legend presents this challenge as something more than mere archery skill. Arash must pour all his strength into a single shot, knowing that this act will cost him his life. He climbs a high mountain and prepares to release the arrow. In one of the most famous depictions associated with this legend, it is said that all of Arash's strength and vital energy are channeled into the arrow as he releases it towards the horizon.

The arrow travels an extraordinary distance before finally landing, establishing the border and ending the conflict. However, Arash dies after fulfilling his mission, sacrificing himself for the survival and territorial integrity of his homeland.

This element of self-sacrifice lies at the heart of the legend. Arash fights not for personal glory or wealth. His heroism stems from accepting a responsibility that demands he give everything for others. As a result, the story has acquired symbolic meaning far beyond a simple arrow shot. Arash has become the embodiment of the idea that a nation's fate sometimes depends on the courage and sacrifice of one individual. His story also connects personal choice with collective responsibility, making the ancient legend relevant for subsequent generations.

The story of Arash has had a profound influence on Persian poetry and modern Iranian literature. Writers and poets have repeatedly referred to this character, interpreting his sacrifice in various historical and political contexts. The image of the arrow crossing the land has also become a powerful metaphor for hope, determination, and the possibility of shaping the future through individual actions.

Unlike some mythological heroes whose stories revolve around conquests, Arash's defining act is an act of giving. He wins not by defeating an enemy in battle, but by making the ultimate personal sacrifice to end the war and protect his people.

Beizai, widely recognized for incorporating Iranian mythology, history, and folklore into his dramatic works, often reinterprets traditional narratives to explore issues of identity, collective memory, and the connection between past and present. His work blends elements of ancient Iranian traditions with contemporary theatrical language, lending new dramatic and intellectual dimensions to familiar legends.

A Persian translation of the play 'Fresh Water: A Comedy,' written by Virginia Woolf, has appeared in bookstores across Iran. According to ISNA, the translator of this work is Yousef Najafi Jablou, and the publication is handled by Tagh Publication.

'Fresh Water: A Comedy' is the only play that Virginia Woolf wrote and staged in 1935. Although it was performed only once in the author's lifetime, the play has since been translated into numerous languages and staged in many countries. The character Alfred Lord Tennyson appears in this play.

Virginia Woolf researched the life of her cousin's grandmother, photographer Julia Margaret Cameron, presenting her findings in an essay titled 'Pattledom' in 1925, and later in the preface to her photographs in 1926.

The play is named after the island of Freshwater (Freshwater, Isle of Wight), where Julia Margaret Cameron lived in a rather bohemian setting at her home, Dimbola Lodge. Many artists and writers gathered around her in the 1860s, including George Frederic Watts and Tennyson.

Tennyson's nearby house, Farringdon, was also an artistic center. The plot revolves around the attempts of the young actress Ellen Terry to avoid marrying the much older Watts. This situation is partly related to family history and partly satirizes the Victorian norms that the Bloomsbury group sought to escape.

The Camerons are planning to travel to India, while Mrs. Cameron and Watts intend to portray Ellen in their respective media. Ellen, meanwhile, sees the young naval lieutenant as her chance for salvation, having received an offer to move to Bloomsbury. These events converge over the course of one day.

Despite being a small work, initially not intended for publication and easily dismissed as frivolous, it gained greater meaning within the broader context of Woolf's work and views. Beneath the comedic elements lies an exploration of both generational change and creative freedom. Both Cameron and Woolf fought against the class and gender imbalances of Victorianism, and the play demonstrates connections to later works such as 'To the Lighthouse' and 'Room for the Self.'

Virginia Woolf (1882–1941) was an English writer and one of the most influential modernist authors of the 20th century. She contributed to the development of stream of consciousness narration as a literary technique.

Woolf began publishing professionally in 1904 and achieved fame during the interwar period with novels such as 'Mrs. Dalloway' (1925), 'To the Lighthouse' (1927), and 'Orlando' (1928). She also wrote the influential feminist essay 'A Room of One's Own' (1929), followed by 'Three Guineas' (1938), which explores the roots of fascism in society. Her works became central to the feminist critique of the 1970s and remain significant worldwide, having been translated into over 50 languages.

A specialized meeting dedicated to the film music of the British composer Sir Malcolm Arnold will take place in Tehran. This composer is known for his nine symphonies and Oscar-winning music from the film 'Bridge over the River Kwai'. The event is scheduled for Thursday and will be held at the Arasbaran Cultural Center.

This will be the twelfth session in a series dedicated to composers of the English school. Nasrallah Davoudi, who is a composer, translator, and music critic, will participate. He will present an analysis of Arnold's unique musical language and examine selected examples of his film scores.

Excerpts from Arnold's works will be presented during the session, providing an opportunity to study his approach to orchestration, melody, and dramatic expression.

Arnold was born on October 21, 1921, in Northampton. He became one of the most prolific British composers of the 20th century, creating works across a wide range of genres, including operas, ballets, chamber music, symphonies, concertos, and film scores.

He studied trumpet and composition at the Royal College of Music in London before beginning his professional career as an orchestrator. In 1941, he joined the London Philharmonic Orchestra, where he later served as principal trumpeter. In 1948, he left the orchestra to dedicate himself fully to composition.

Arnold's work combined strong melodic sensibility with vibrant orchestration and a tonal-based musical language that incorporated modern elements. Among his concert hall pieces are nine symphonies, over twenty concertos, and a number of concert overtures, such as 'Becus Dandiprat' and 'Tam O'Shanter'.

His stage works include ballets such as 'Dedication to the Queen' and 'Rinaldo and Armida', as well as the one-act opera 'The Dancing Master'. His versatility was also evident in his music for wind and brass ensembles, as well as chamber and vocal works.

Arnold gained international recognition through his extensive work in cinema. He wrote over 130 scores for films, including the music for David Lean's war drama 'The Bridge on the River Kwai' (1957), which earned him an Academy Award in 1958. Other notable film scores include 'The Sixth Happiness Hotel', 'Hobson's Choice', and 'Whistle Down the Wind'.

His film compositions helped establish his reputation outside the concert hall, while his symphonies and stage works demonstrated a broader artistic range, encompassing both accessible melodies and more serious, emotionally rich compositions.

In 1993, Arnold was knighted for his contribution to music. He died in Norwich on September 23, 2006, at the age of 84.

The free session will take place at the Arasbaran Cultural Center, located on Jolfa Street, north of Seyed Khandan Bridge, on Shariati Street.