Cape Town Photographer Documents Culture of Huni Kuin People in Brazilian Amazon
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IOL
iol.co.za

Cape Town Photographer Documents Culture of Huni Kuin People in Brazilian Amazon

An exhibition of photographs created by Cape Town photographer Gary Van Wyk offers a deep dive into the life, culture, and spiritual traditions of the Huni Kuin people living in the Brazilian Amazon. This people are closely tied to their identity with the forest environment.

The exhibition, titled 'Novo Futuro: The Huni Kuin of the Amazon,' marks the first time Van Wyk's work has been displayed. His shots were taken through establishing trusting relationships and shared experiences during a visit to a Huni Kuin village in the state of Acre, in the Brazilian Amazon.

The main goal of the project is to go beyond formal portraits, capturing personal moments and connections between people, their ancestral knowledge, and nature.

Van Wyk made contact with the Huni Kuin people through a mutual acquaintance who invited him to meet with the community's spiritual leaders. Following this, he was invited to visit the village, where he spent about twelve days. This experience formed the foundation for the exhibition, which aims to convey the community's stories through photographs shaped during the interactions.

Van Wyk stated that this work is intended as a gift to the people he photographed. He emphasized that he wants the images to carry the energy and beauty of the Huni Kuin beyond their village, helping viewers learn about these people and their role in protecting the Amazonian nature.

When discussing the inspiration for documenting the Huni Kuin people for 'Novo Futuro,' Van Wyk explained that he met them through a mutual friend who invited him to meet with the spiritual leaders. Then, at the leaders' invitation, he visited the village and stayed in the Amazon for almost twelve days. This experience defined the exhibition.

In response to the question of how the exhibition can establish a meaningful connection between the audience and the Huni Kuin people, Van Wyk repeated that it is 'a gift to the Huni Kuin people, a special gift from every person in the village.' He added that it is important for his works to transmit the energy and beauty of the Huni Kuin, bringing them to people so they can recognize and see these people who protect nature from the depths of the Amazon.

For the Huni Kuin people, the forest is more than just a place to live; it is central to their worldview, culture, and spiritual life, which is reflected in all of Van Wyk's photographs. The exhibition explores how the community honors its ancestors and maintains a connection with the surrounding world.

At the opening event, the Huni Kuin spiritual leader Ninawa Pai da Mata performed traditional music and sacred chants, allowing visitors to experience elements of the community's living cultural traditions. The photographs captured moments of joy, emotion, and daily life, offering an intimate look at the people behind these images.

Van Wyk's approach focuses on authentic human connection, presenting portraits that aim to convey individuality and candid moments, rather than merely documenting appearance.

This exhibition is part of Van Wyk's broader creative journey dedicated to exploring the interconnections between people, place, and identity. Among his previous projects are documentation of conservation initiatives by the organization ORCKA in Namibia, as well as the Nama people from Richterfeld in the award-winning documentary 'Out of Mined.' His latest work with the Huni Kuin continues this interest in communities, their environment, and the stories they share.

Through photography, Van Wyk seeks to bring these stories to a wider public while maintaining respect for the people who entrusted him with their stories.

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Roberto Higa shares his journey in photojournalism from Mato Grosso do Sul and speaks about cancer
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g1.globo.com

Roberto Higa shares his journey in photojournalism from Mato Grosso do Sul and speaks about cancer

Roberto Higa, a prominent figure in the photojournalism of Mato Grosso do Sul, shared in an interview with TV Morena an overview of his life, including decades of historical records of Campo Grande and the recent challenge posed by cancer.

At the photographer's residence, the garage houses the family vehicle alongside portraits of notable personalities, while the interior of the house functions as a private gallery, filled with photos and paintings that narrate the history of Higa, son of Japanese immigrants and a reference in state photojournalism.

Back in the 1960s, he began documenting significant events using the photographic equipment of the time. Higa reported being the professional who photographed presidents the most during their visits to the state, citing names such as Medici and Geisel. Despite current physical limitations, the photographer stated that he continues to work with the camera daily.

Higa's trajectory is also linked to that of Sandra, his wife. Their relationship began at the pedal boats of the State University of Mato Grosso, which is now the Federal University of Mato Grosso do Sul (UFMS), in Campo Grande, before the state's separation. It was there that he took his first picture of Sandra, near the Olympic pool.

The couple's memories are preserved, including the wedding invitation, civil ceremony photos, religious ceremony photos, and the party held at the former residence. In the 80s, the camera captured the birth of their first child, resulting in a maternity album, a format that would only become popular much later. Furthermore, during one of their children's births, he covered the hospital with flags of Operário, the team he supports.

From street interactions to political records

Higa also dedicated his lens to recording youth festivals and gatherings in Campo Grande. He followed the movement of Avenida da Paquera, located on Avenida Afonso Pena, an area that is now part of the city center. At that time, the location was a meeting point for young people and had loudspeaker systems to aid romantic encounters.

He recalled how the young women paraded on the asphalt, and there were loudspeakers on every corner announcing, for example: 'Attention attention, you girl in the pleated skirt, white blouse, maria-chiquinha in your hair, so-and-so is waiting for you on Maracaju Street.' Higa mentioned that circulation needed to be restricted to ensure the holding of inaugurations.

His records extended to political events. He documented the changes to a monument, from its initial configuration and removal to location modifications and the installation of the current model. The arrival of the first escalator in a department store in downtown Campo Grande was also captured, showing the public's reaction to the novelty.

Throughout his career, the photographer covered rallies and crucial events for the formation of the state, such as the State Constituent Assembly of 1979, responsible for creating the Constitution of Mato Grosso do Sul after the division of the former Mato Grosso. Records from this period are also part of his archive.

On one occasion, during a visit by then-President Emílio Garrastazu Médici to Campo Grande, a rainy day was marked. Higa recounted having photographed Medici smoking, something unusual, since the president should not enter smoking, but it was his habit.

At that time, Higa possessed an ID badge that gave him access to covering presidents and candidates for President of the Republic. Many of his professional cards are displayed in a frame in his home. The history of the Matogrossense Communication Network (RMC) and the Zahran family's communication group is also documented at the residence, with Sandra responsible for organizing and preserving some of this material. She informed that the images are organized in notebooks and envelopes, each with its negatives, totaling more than 8,700 envelopes recorded in a single notebook.

The archive of life and the challenge of treatment

This year, Higa's journey took the form of a documentary and a film. While his career receives new records, the photographer faces one of the most difficult moments of his life. Diagnosed with laryngeal cancer, he received treatment in Campo Grande, at a hospital he had been following since its founding. During this journey, he and his family documented the various phases of the process.

After completing a cycle of treatment, Higa rang the bell at Alfredo Abrão Hospital, an act that symbolized the end of a phase. Months later, a video recorded in his living room brought news of a recurrence of the disease. Currently, he is receiving palliative care and relying on family support. When asked about his perception of everything he has achieved in his life, Higa replied: 'I have, and I am satisfied.'

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