Director explains that the film 'Ita' about Vitabai's life is not a biography, but is based on a book

People often say phrases like 'You are a boy, and you never cry' or 'Boys don't help with housework'—these are attitudes instilled in boys from childhood. There is a concept of toxic masculinity, which was long accepted, although it is discussed more often today, and its meaning has changed. However, there was a time when women did not interfere in a man's life regardless of his actions.

Previously, masculinity was associated with strength and dominance. But what happens if a girl appears in this world built on concepts of masculinity, capable of shaking these ideas? This is the story presented by Thai film director Karthik Subbaraj in his film 'Dorothy,' which recently premiered on Netflix. Before its theatrical release, the film caused a significant stir in Tamil cinema, and after moving to OTT platforms, it is being discussed even more actively, being called one of the best Tamil films of the year.

The plot tells the story of two close friends, Karthik (Rishikant) and Subbu (Sannanth), who have been friends since childhood. In youth, Karthik is portrayed as a weak and frightened child, while Subbu is the bravest. Subbu lost his mother and sister early; his father, Visil (Muthukumar), is a man who is not afraid to display his masculinity, and his older brothers share this view.

Over time, Karthik and Subbu undergo significant changes. Karthik transforms from a timid child into a brave and fearless man, while Subbu becomes weaker and more sensitive, losing his initial courage.

Dorothy (Kirthi Suresh) enters the lives of Subbu and Karthik, bringing joy to Subbu. However, Dorothy dies one day due to men in her house. This tragedy has an extremely negative impact on Subbu, as if someone has ripped out his soul. After losing his mother and sister in childhood, he can no longer cope with the shock of Dorothy's death. As a result, he commits an act that deeply damages his family's reputation, and his entire life turns upside down. The step he takes is revealed to the viewer upon watching the film.

In the trailer, director Karthik Subbaraj did not reveal many details, but a suggestion arises about serious changes in the lives of Karthik and Subbu. However, the changes shown in the film deeply affect the viewer's consciousness. Through Subbu's fate in 'Dorothy,' the viewer can understand the importance of self-identity and acceptance in society. The film shows how a person is forced to hide their true self and wear a mask under societal pressure.

The theme addressed by director Karthik Subbaraj is related to transgenderism. He aimed to show the characters' struggle with complete truth and fearlessness. This film is not for everyone; it is made for a mature audience ready to openly look at such topics. The director deserves credit for daring to present this story on the big screen. The emotions touched upon in 'Dorothy' cause the viewer discomfort and make them think about the value of women in this world.

Although the film is not without flaws, it dedicates a lot of time to plot development. It would have been beneficial to show a bit more of Dorothy's story to strengthen the emotional connection with her character, but the director quickly shifted attention to Subbu and Karthik. Even in the character of Karthik's mother, whom Subbu considers his mother, there is a lack of emotion. The only strong bond between the characters in the film is observed between Karthik and Subbu. The musical score in the film is also good; it creates the necessary emotional moments.

Regarding the main actors, Rishikant's performance as Karthik was very good; the viewer feels an emotional connection with him. His character has his own journey, as does all of Karthik Subbaraj's films. Rishikant fully embodied his character and succeeded in doing so. However, Sannanth attracts the most attention. The transformation he demonstrated in the role of Subbu is praiseworthy. Sannanth breathed life into every scene; the film 'Dorothy' largely depended on him. His performance became the real highlight of the film, and he handled the role perfectly. Through Subbu, Sannanth conveys all the necessary emotions. Furthermore, Kirthi Suresh, although appearing briefly, impresses in the role of Dorothy. Her innocence and smile touch the viewer's heart.

The world of cinema appears brilliant on the outside, but its inner reality turns out to be bitter and empty. Many stars have encountered the so-called 'casting couch,' and this problem affects not only actresses but also many male actors.

Film industry professional Rakhat Shah Kazimi made a bold statement regarding the industry. In a conversation with Siddharth Kannan, he was asked whether male actors today engage in intimacy with directors and producers to secure roles.

Rakhat Shah Kazimi confirmed this, stating that it is a well-known fact and nothing new about it. He noted that this can be viewed either as the exploitation of male actors or as their conscious choice in pursuit of fame.

He added: 'They do not seem like victims to me anywhere because you choose it yourself. Either you choose the difficult path, which we chose—creating cinema independently if you don't receive invitations. But there is also the easy way—to get involved in the affairs of some director or producer. So it is their own decision.'

He was also asked why top figures in the industry often work with much younger actresses despite their age, and when this will stop. Rakhat Kazimi explained this by citing the superstars' insecurity in creating realistic cinema and their unwillingness to experiment or change their image. He emphasized that directors cannot tell them what to do.

Furthermore, Rakhat Shah Kazimi voiced several other shocking claims about the world of cinematography.