Bag Print craftsmanship from Madhya Pradesh showcased in Sri Lanka, highly praised by Indian representative
Read more
Aaj Tak
www.aajtak.in

Bag Print craftsmanship from Madhya Pradesh showcased in Sri Lanka, highly praised by Indian representative

The traditional art of Bag Print from the state of Madhya Pradesh presented itself on the international stage in the capital of Sri Lanka, Colombo. Artisan Mohammed Arif Khatri from Bag, Dhar district, demonstrated his mastery at the 'Indo-Sri Lanka Ceylon Craft Week 2026' event, which took place from October 29 to November 1.

During the exhibition, an Indian representative, Santosh Jha, highly praised the Bag Print art. Mohammed Arif Khatri told the Indian representative Santosh Jha, employees of the Indian Embassy, and other guests about the historical origin of Bag Print.

He detailed the traditional technique of manual block printing, the use of natural dyes, and this craft tradition passed down through generations. The specialty of Bag Print saris and other fabrics is their traditional design, the depth of natural colors, and the hand printing. In each piece, the master's skill, patience, and traditional knowledge are evident.

The joint organization of the 'Indo-Sri Lanka Ceylon Craft Week 2026' is carried out by the National Council of Crafts and the Swami Vivekananda Cultural Centre in Colombo under the auspices of the Ministry of Industry and Entrepreneurship Development of the Sri Lankan government. The goal of this event is to promote the exchange of traditional crafts, handicrafts, and cultural heritage between India and Sri Lanka.

The demonstration of Bag Print on the international platform provided an opportunity to present the traditional handicraft art of Madhya Pradesh and the talent of local artisans to a global audience.

Similar stories

74-year-old Ratnabali Ghosh draws traditional alpona for strangers in Kolkata every day
Read more
thebetterindia.com

74-year-old Ratnabali Ghosh draws traditional alpona for strangers in Kolkata every day

In Kolkata, 74-year-old Ratnabali Ghosh, known as 'Alpona Didi,' starts her day at 5:30 AM to draw traditional Bengali alpona at the doors of strangers, aiming to bring a smile to their faces.

Inspired by her mother, Ratnabali believes that art should help people feel wanted, valued, and less lonely. Despite age and arthritis complicating her work, she refuses to give up.

During Durga Puja, her story demonstrates how 'Alpona Didi' keeps the living folk craft of Bengal alive, decorating doorsteps. Her traditional alpona patterns welcome people leaving in the morning, whether from residential buildings, shop windows, or restaurant entrances.

Her example serves as a reminder that traditions are preserved by those who choose to continue them, and that kindness matters even when no one is watching.

How art platforms, exhibitions, and awards contribute to the development of the creative economy
Read more
yourstory.com

How art platforms, exhibitions, and awards contribute to the development of the creative economy

PhotoSparks, a weekly column from YourStory launched in 2014, features photographs that celebrate the spirit of creativity and innovation. Over its existence, in more than 1020 publications, various events have been presented, including art festivals, comic book galleries, world music festivals, telecommunication exhibitions, grain fairs, climate change expositions, wildlife conferences, startup festivals, Diwali rangolis, and jazz festivals.

Recently, the Lalit Kala Akademi (LKA) in New Delhi held its 65th National Art Exhibition. This exhibition featured over 270 works of art from across the country, selected by a jury from 6175 submitted entries.

Furthermore, twenty artists received awards from the Lalit Kala Akademi. Among the awardees were Pooja Rajput, Praveen Kumar, Pritam Madhukar Deuskar, Rajendra Prasad, Ramesh Vital Torat, Raviram Ramakrishnan, and Sanjay Kumar.

Such exhibitions and awards help transform artistic talents into sources of income, fostering creative business, tourism, and international recognition. They strengthen the creative economy by connecting artists with audiences, buyers, institutions, and markets, while preserving the cultural identity of the country.

Exhibitions provide artists with an opportunity to display, promote, and sell their work. They link creators to a wider ecosystem of collectors, galleries, curators, cultural institutions, and potential investors, thereby opening avenues for income generation and professional growth.

In the case of national exhibitions in India, opportunities also arise to showcase traditional crafts, indigenous knowledge, and contemporary artistic practices. Thus, cultural assets move beyond nostalgia and become sources of sustainable economic value.

Art competitions, in turn, stimulate the pursuit of perfection, experimentation, and willingness to take creative risks. By holding them annually, they discover new talents, provide visibility to underrepresented artists, and create pathways to grants and residencies, as demonstrated by the activities of LKA and its centers across India.

Art exhibitions delight and inspire art lovers, prompting artists to develop new techniques, materials, and ideas. At a broader level, this strengthens the nation's base of creative skills and promotes innovation in design, fashion, architecture, digital media, and other creative industries.

Awards conferred by national institutions, such as LKA, lend authority and elevate the status of artists and creative enterprises. National prizes also help set benchmarks of excellence, recognize cultural achievements, and shape a distinct national creative identity.

As shown in this photo essay, the diverse works of art presented at exhibitions help emerging artists realize the opportunities that current practices offer. It also paves the way for exploring how other media can expand creative horizons, for instance, through digital technologies.

Collectively, exhibitions, competitions, and awards contribute to the creative economy of India. Regional creators can interact with national and international buyers, galleries, cultural institutions, and digital platforms.

Traditional art forms and indigenous knowledge can be sustained while simultaneously encouraging new creative expressions. The annual LKA exhibition motivates cultural institutions and private partners to invest in accessible venues, professional development, and fair compensation for artists.

Special attention should be paid to emerging artists, regional creative communities, women, youth, and indigenous practices. Success should be measured not only by attendance or media coverage but also by artists' income, tourism expenditure, repeat market opportunities, and international partnerships.

In conclusion, sustainable investment and effective partnership through platforms like LKA can ensure that India's artistic and cultural wealth generates long-term social, cultural, and economic value.

Popular