Iran's Minister of Cultural Heritage, Seyed Reza Salehi-Amiri, emphasized that Iran has yet to adequately present its rich heritage and civilization to both the younger generation and the international community. He made this statement at an event titled 'Night of Iran,' calling for the creation of a more comprehensive and historically grounded description of the country's cultural, scientific, and artistic achievements.
During the evening event on Tuesday, the minister stated: 'We have not yet been able to tell the story of Iran as it deserves, considering the history, culture, and civilization of this land.' He added that this deficiency must be addressed by providing a comprehensive account of Iran based on historical data and facts.
The event took place at the National Bank of Iran Museum in central Tehran and gathered cultural officials, archaeologists, researchers, legislators, and other participants from the country's cultural heritage sector. As part of the event, a collection of photographs titled 'A Thousand Years of Iran' by Herbert Karim-Masighi was presented, documenting aspects of Iran's historical and cultural heritage.
Salehi-Amiri characterized Iran as a country with deep roots, continuous historical continuity, and a vibrant culture that has withstood thousands of years of turmoil and foreign invasions. He noted that successive invasions and political upheavals, from Mongol and Afghan incursions to recent threats, have damaged the country but have not destroyed its cultural and civilizational foundations.
The minister compared Iran to a tree whose branches may bend in a storm, but whose roots remain strong, asserting that the survival of Iranian civilization demonstrates its resilience across generations. He stressed that cultural heritage is one of Iran's most vital national assets, as it strengthens social cohesion, enhances national identity, and fosters a shared sense of belonging among Iranians.
Salehi-Amiri presented Iran as a unifying force for people worldwide, connecting individuals with diverse ethnic, cultural, social, and intellectual characteristics through their historical ties to the country. He insisted that the history and civilization of Iran should play a more significant role in shaping the country's international image, questioning why Iran is often perceived solely through the lens of war, missiles, and political disputes.
He called for increased efforts to integrate the country's historical heritage through education, scientific research, and public cultural programs. The minister specifically noted that educational institutions should incorporate relevant materials on Iranian history and civilization into their curricula, helping students understand the historical and cultural background to which they belong. Universities, he said, should also expand teaching and research on Iranian history, its intellectual traditions, art, and national identity.
Salehi-Amiri also highlighted that a significant portion of Iran's historical heritage remains undiscovered or insufficiently documented. He suggested that continued archaeological excavations and historical research could reveal new facets of the country's past and bring lesser-known stories to public attention.
The minister mentioned the views of scholar Jaleh Amoujegar regarding the resilience of Iranian civilization, noting that political leaders and governments come and go, while cultural achievements can endure for centuries. Furthermore, he reported holding meetings with heads of banking and economic institutions regarding their participation in restoring and completing historical projects, emphasizing the potential role of the private and financial sectors in preserving the nation's heritage.
Addressing the complex situation in the country, Salehi-Amiri called for national solidarity and stated that the government is working to support the population and alleviate its difficulties. He apologized for shortcomings and expressed confidence that Iran will overcome current challenges.
Amoujegar, an Iranian scholar of ancient cultures, languages, mythology, and literature, also spoke at the event, focusing on the importance of hope and confidence in young generations. She stated: 'Iran will not die along with the youth and artists it possesses, and we must not lose hope.' She argued that Iran's cultural vitality is based on a broad base of creative talents, not just a handful of outstanding individuals, and that the country continues to produce people capable of sustaining its artistic and cultural life.
Mohsen Seyfi-Kafashgari, CEO of Bank Melli Iran, noted that the bank's century-long history is closely linked to the country's economic and social development and deserves documentation for future generations. He emphasized that the institution has undergone many changes and difficulties over its first 100 years, and preserving records of its activities could shed light on aspects of modern Iranian history.
The ceremony was attended by Abdollah Hosrobanah, Secretary of the Supreme Council of the Islamic Revolution of Iran; Golamareza Amirkhani, Head of the National Library and Archives of Iran; Kim Joon-pyo, South Korean Ambassador to Iran; as well as archaeologists, cultural heritage specialists, parliamentarians, and officials from cultural institutions. Attendees included researchers and archaeologists Fahri Daneshparvar, Jalil Golshan, and Mehrdad Malekzadeh, as well as Jabrial Nokandeh, Director of the National Museum of Iran, and Mohammad Mehdi Asgarpour, Chairman of the Board of the Iranian Cinema House.


