Professor Tabssum Reveals the Secret of Murtaza's Death to Futuristic Journalist
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Aaj Tak
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Professor Tabssum Reveals the Secret of Murtaza's Death to Futuristic Journalist

In the episodes of 'The Wolf,' viewers learned about Professor Tabssum, a renowned physicist who conducts research on time travel. While participating in a scientists' competition in New York, a young woman named Naina arrives at her hotel room, claiming to be a traveler from a world three hundred years in the future.

Initially, the professor considers her a fraud, but gradually Naina provides evidence that convinces her. Naina explains that in the future, journalists often visit the past to interview famous figures. She came to the professor because she is believed to be the pioneer of time travel in the year 2326.

During the conversation, Naina asks the professor about the fate of her son, Murtaza. The professor initially explained that Murtaza died in an accident due to an attack by wild wolves in the forest behind their home. However, Naina asserts that in the world she comes from, it has become known that Murtaza's death was not caused by a wolf attack. She demands that the professor tell the truth, warning that lying will cause all her achievements to be recognized as falsified, and history will remember her as dishonest. Naina persuades her that admitting the truth will not harm her.

The professor agrees to reveal what happened to her son. Naina then recounts the version of events the professor had previously told the world: the professor returned from a seminar in Poland, came home, and met Murtaza. He introduced her to someone, and the next day they decided to celebrate a pizza order. But Murtaza refused the pizza, suggesting they go for a walk outside. The professor objected, but Murtaza insisted. They went into the dense greenery behind the house, sat on a blanket, and then a noise was heard. When the professor turned around, she saw movement in the bushes. She warned Murtaza not to make noise. After a long silence, the professor's phone rang, breaking the quiet. As soon as she opened her bag, a large wolf jumped out of the bushes and attacked Murtaza. The professor screamed, but he dragged Murtaza into the bushes, and Murtaza's body was never found.

Naina looks at the professor, tears streaming down her cheeks, and says: 'Madam, I know this story is false, it is untrue. We all know what happened, but please tell me so the interview can be considered factual. Otherwise, any lie will render this entire interview useless, and my appearance here... and you will lose the chance to become a great scientist in the world in three hundred years. Tell me... what happened?'

Professor Tabssum stands up, thoughtfully walks to the window, and then says: 'Naina, look, progeny is one of the greatest gifts of the world. When Murtaza first appeared in my arms, I cannot describe what I felt then. After the passing of Iftikhar Sahib, I raised him alone, sent him to the best university, gave him everything a mother can give. But Murtaza could not give me what a child gives a mother—the joy of grandchildren.'

Naina replies: 'Madam, there is nothing shameful in that, and you are a scientist.' The professor responds: 'Yes, I am a scientist, and I also know there is nothing wrong with it. Nature created him this way. I do not know the world three hundred years from now, but the world we live in now is hell for people like Murtaza. People mock... how they name them... they humiliate them until their last breath. I... I could not see my dear Murtaza like that. I could not bear for him to suffer to death. Therefore, I freed him from this world.'

She enters the gallery and pushes open the large door, feeling the cold air conditioning. In front of her is a large dark hall with an auditorium, where six or seven people are seated on stage. Behind the stage hangs a photograph of Professor Tabssum among five or six pictures. New physics theories are being discussed there, and at the end, an award is supposed to be given to one of the seven finalists, which Professor Tabssum knew should be hers.

As soon as she appears, people look at her, and many surround her. However, the professors guide her to her seat, and she sits down. Some elderly men in suits approach her and formally greet her. The awarding ceremony begins, and Professor Tabssum sits calmly. Then comes the moment of announcing the winner: 'MADAM AND GENTLEMEN... THE WINNER OF THE GLOBAL SCIENTISTS ALLIANCE OF 2026 IS... Fedrik Rotman from the University of Toronto...' Professor Sahiba slightly rises from her chair, astonished by this announcement, as the award was supposed to go to her.

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Russian forces established control over three settlements
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Russian forces established control over three settlements

The Russian Ministry of Defense reports that throughout the day, Russian armed forces established control over an additional three settlements and struck transport and logistics centers in Ukrainian territory.

Additionally, Russian air defense units shot down 1222 Ukrainian drones during the day.

During the day, the Armed Forces of Ukraine lost 1350 servicemen, 11 armored fighting vehicles, 6 field artillery pieces, 86 military vehicles, one multiple rocket launcher system, and 4 guided aerial bombs, in addition to 1222 downed drones.

High-Quality Violin Production Finds Unexpected Success in Rural China
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High-Quality Violin Production Finds Unexpected Success in Rural China

Zhushan Township in China, which previously suffered from poverty, has transformed into a major violin production center, exporting 400,000 instruments annually. This region, which had no historical connection to musical instrument making, now possesses a complete production chain covering wood processing, component carving, painting, and finishing.

According to local industry data, over 2,600 residents work in this sector. Furthermore, about 80% of the violins produced in Zhushan are exported, and most of the wood used is imported, according to Jian Baolin, Secretary-General of the Zhushan Violin Makers Association.

Judgment Over Formula

The history of this industry's development began not with resources or ports, but with people. Starting in the 1980s, residents of Zhushan moved to Beijing to learn the art of violin making, and some opened their own workshops there. However, around the mid-2010s, the situation changed: many masters from Zhushan began returning home, aided by local incentives for industry development. They brought back skills, client bases, and connections accumulated over decades.

Wang Jinwu became one such master. He entered the profession almost accidentally. With little formal education, his initial goal was simply to work hard enough to support himself. Wang left Henan Province for Beijing at the age of 16 or 17 and started training at a violin factory. After six or seven years working in factories, in the mid-1990s, he began working independently. His first workshop produced only four or five violins per month, but over time, he developed his business and established contacts with international buyers.

One wholesale distributor from the USA has been collaborating with him for nearly two decades, purchasing over 2,000 instruments annually, which accounts for roughly two-thirds of Wang's annual output. In 2017, Wang relocated his factory from Beijing to Tianjin, and then returned it to Zhushan in 2023, noting that he felt more rooted after coming home. By then, he had formed an international client base, and trade fairs became an important channel for finding new buyers. Wang's company has participated in instrument exhibitions in China, the USA, Germany, Japan, and Italy. He reported that about 90% of his sales go to the United States, with smaller batches sent to Italy, the Czech Republic, and Finland.

According to Wang, making one violin takes about a month and a half. The process is divided into six main stages and numerous minor tasks. Only varnishing can require more than 20 cycles of application, drying, and sanding. A significant part of the work depends on professional judgment, which is difficult to reduce to a formula. Workers master each stage sequentially, often requiring two to three months to achieve competence, while full mastery takes many years. Wang views every violin as a work of art, not as a commodity.

Repetitive, Focused Work

The development of local suppliers and auxiliary enterprises has also influenced the operational model of the industry in Zhushan. Instead of relying entirely on large centralized factories, production is distributed among various workshops and households. Some workers specialize in one stage and are paid per unit produced. Others may take parts home and manage their own working hours.

For Xiong, who also farms, this flexibility is highly valuable as she can make violin parts while staying close to her family. Liu, who has been in the field for nearly ten years, also values the ability to work near home. This model has helped transform a craft, once learned in distant factories, into a source of rural employment.

However, this structure also reveals certain limitations of the industry. Wang noted that after his return in 2023, he hired over 10 young people, but few remained. Violin making requires long periods of monotonous, focused work, and some young employees prefer activities that allow them more mobility. In his view, the skills themselves are difficult to standardize; experienced masters rely not only on measurements but also on intuition and vision honed over years of practice.

Master Xiong Kaifeng returned to Zhushan after years of working on violins in Beijing and now focuses on creating high-quality performance instruments. He produces about 20 violins and 10 cellos annually, along with a smaller number of altos. For such masters, the priority is improving quality and strengthening the recognition of handmade items from Zhushan.

Much More To Be Learned

Zhushan is currently planning the creation of an industrial park, as well as facilities for training, research, and instrument evaluation. Local authorities are also interested in enabling masters to create their own brands and move beyond contract manufacturing.

Wang is also moving in this direction with his company. He aims to use more carefully selected wood, improve the thickness of the decks, and produce more instruments with consistently high sound quality. Under conditions he describes as a market slowdown, he is currently producing about 2,000–3,000 instruments per year, compared to over 4,000 during a specific period. One instrument he is particularly proud of is a cello that won first place at the First National Exhibition of Educational Equipment for Violins in 2019. It was later sold at auction to a teacher for 80,000 yuan (approximately $193,125).

Returning home did not mean closing off from the outside world. In September 2025, Wang visited Cremona, Italy, the birthplace of the famous master Antonio Stradivari, to attend the International Cremona Musica Exhibition and Festival, an international trade fair for musical instruments. During the trip, he visited local workshops to observe masters and study their methods. He found that the violin making process at every stage in his own factory proceeds more slowly, with higher standards for wood selection. Wang noted: 'Italian violin making has a much longer history, and we still have much to learn.'

This is perhaps the clearest picture of the Zhushan violin industry: a craft learned elsewhere, brought home, and adapted to the rural economy, while its masters continue to look outward for clients, knowledge, and new ways of improvement.

Soumya Tandon shared an emotional post about working on Suraj Bajaiya's film
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www.aajtak.in

Soumya Tandon shared an emotional post about working on Suraj Bajaiya's film

Actress Soumya Tandon expressed her gratitude to film director Suraj Bajaiya by posting a note about the upcoming project. She noted that every actor's dream is to work under the direction of Suraj Bajaiya.

Soumya published several photos from the set of her new film with Suraj Bajaiya and other cast members on Instagram. She also posted a movie poster featuring Ayushman Khurana and Sharvari.

In the caption, the actress wrote: 'Working under Suraj Bajaiya's direction is every actor's dream. The happiest shooting process. Every moment spent shooting 'Ye Prem Mol Liya' was special for me.' She continued, adding: 'I sincerely believe that the true love we see on screen comes from the genuine love that exists off-screen. Thank you all for this wonderful experience with such a great cast and crew, especially the Rajshree company.'

It is worth noting that 2025 and 2026 were very successful years for Soumya Tandon. Her role in the film 'Dhurandar' was highly praised by audiences. In 'Dhurandar', Soumya Tandon played the wife of Rahman Dakait (Akshay Khanna), and this character received great recognition, especially the scene where Rahman Dakait is slapped.

Furthermore, the actress participated in Imtiaz Ali's film 'Jab Vi Met', where she played the sister of the character Karina, named 'Rup', alongside Shahid Kapoor and Kareena Kapoor. Back in 2015, Tandon began acting in the comedy series 'Bhabiji Ghar Par Hain!', where she played Anita. In the series, she became known as 'Gori Mem' because Rohitashva Gaur called her by this name, and thanks to this nickname, she gained nationwide fame.

Meanwhile, the film 'Ye Prem Mol Liya', directed by Suraj Bajaiya, is scheduled to be released in theaters on November 27, 2026. These traditional and cultural posters and photographs related to both films have generated huge excitement among fans even before the official release.

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