Saraswati Rugs from Jaipur promotes Indian craftsmanship to the global market
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Saraswati Rugs from Jaipur promotes Indian craftsmanship to the global market

PhotoSparks, a weekly segment of YourStory, highlights creativity and innovation by showcasing photographs from various events, including art festivals, exhibitions, and conferences.

Rural communities in India possess immense talent in crafts and arts, which is gaining increasing recognition worldwide, especially in items such as rugs. The creation of hand-knotted rugs requires an exceptional combination of patience, discipline, and skill.

Every knot is meticulously tied by hand, demanding high concentration and precision. These techniques, passed down through generations, lend each created rug warmth, beauty, and individuality.

As demonstrated by a photo essay featuring Saraswati Rugs' design centers, factories, and exhibition halls in Jaipur, Indian weavers are capable of transforming simple materials into breathtaking patterns. The company goes through a complex production cycle: from sourcing raw materials and developing designs to dyeing yarn, setting up the loom, knotting, trimming, washing, drying, and final inspection. Completing one rug can take weeks, months, or even longer.

Handmade Indian rugs are not just decorative items; they are a reflection of the incredible effort and soul of the people behind them. Each rug tells a story through its motifs, colors, and shapes, demonstrating the highest level of detail.

Raj Choudhary, Director of Saraswati Rugs, told YourStory that the company was founded by his father, Mahesh Choudhary, back in 1978. Mahesh Choudhary started the business in Churu, Rajasthan, using funds borrowed from his own father. He later moved to Jaipur to start an export business, establishing an American base called Amer Rugs.

The main idea was to show the world the beauty and mastery of Indian carpet manufacturing. The name 'Saraswati' was chosen in honor of Raj Choudhary's grandmother, and in her memory, the Saraswati Foundation was established in 2012 to fulfill corporate social responsibility.

Raj Choudhary, who studied at Delhi Public School in Jaipur and earned a BBA from Georgia State University in Atlanta, joined his father's venture in 2011. He noted that the primary market for the company is the USA, but they also export products to Russia, Turkey, Europe, and East Asia. To develop the domestic market, stores were opened in New Delhi and Mumbai, with plans to expand to Bengaluru, Hyderabad, or Kolkata.

Despite significant changes in the world since 1978, respect for artisanal craft remains constant. The company strives to find a balance between heritage and innovation, between tradition and a global vision.

The company collaborates directly with B2B partners such as architects, interior designers, and hospitality establishments. The company has about 400 employees, along with contractors and other weavers. Most rugs are handmade, and one rug can pass through 150 hands at different stages. Sometimes up to five people work on one loom, and the largest rugs can require four to five months, or even more time.

Wool is either sourced locally or from countries like New Zealand. After this, the entire process is carried out within the company, in Jaipur or at other centers, such as the spinning mill in Bikaner. The company produces its own yarn, which is then sent to the dyeing unit. Knotting is determined by various parameters, such as the number of knots per square inch. Designers use CAD software to create a map of the actual size of each rug. Next comes printing and lamination so the map is not damaged in harsh conditions.

Rugs are made from wool, silk, cotton, or viscose. The optimal price range is around $10–$14 USD per square foot, although higher design complexity entails a higher cost. The company works with hand-knotted, hand-tufted, and machine-woven carpets. Their private workshop offers custom sizes, tailored palettes, and original design development. They believe that true luxury is created slowly.

Handmade rugs are considered among the most valuable and expensive in the world, and discerning buyers choose them to express their appreciation for art. A well-made rug can become part of a home for many generations and is often carefully matched with paintings and furniture.

Saraswati Rugs has received several international awards for its designs, including America's Dream Carpet. Raj Choudhary added that besides awards, the greatest satisfaction comes from the opportunity to learn something new every day. He emphasized that many people are involved in this industry, so it is necessary to be a communicative person and to learn from others. Inventing new designs and receiving fresh ideas from clients also brings great satisfaction.

The company's rugs are presented in diverse styles such as jharokha, cosmos, gemstone, lily-ponds, dazzle, mahal, Milano, pearl, Arabe, glamour, majestic, Cubism, and castle. Handmade rugs are considered authentic and unique works of art. Other types include hand-tufted, hand-woven, and flat-woven. Saraswati Rugs offers seven design directions: classic, traditional, transitional, geometric, modern, abstract, and textural.

The company's clients in India and 60 other countries include hotels such as Radisson Blu, Golden Tulip, Olive Tree, and Park Plaza, as well as PVR cinemas in Bengaluru and Mumbai. In recent years, the carpet industry has undergone technological and consumer expectation changes, transforming from a commodity into a fashion item.

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Artisera Exhibition in Bengaluru Showcases Contemporary Indian Printmaking
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Artisera Exhibition in Bengaluru Showcases Contemporary Indian Printmaking

The gallery and online platform Artisera has concluded its exhibition titled 'The Mark of the Matrix — Impressions from Contemporary Indian Printmaking' in Bengaluru. This exposition features works by eleven contemporary Indian artists specializing in printmaking.

Founded in 2025, Artisera promotes modern Indian art, traditional art, and collectibles. Located in Indiranagar, Bengaluru, the platform aims to create a hybrid experience by combining physical exhibitions with digital capabilities.

Varun Bakliwal, founder and CEO of Artisera, noted that 'this exhibition reflects our conviction that Bengaluru deserves a stronger platform for printmaking.'

Printmaking is defined as the artistic process of transferring an inked image from a prepared matrix or template onto another surface, such as paper or fabric. Unlike direct drawing, printing allows an artist to create multiple original copies or editions from a single source.

The exhibition demonstrates the richness and complexity of this art form, presenting both established and emerging artists from across India. Among the participants are Durgadas Garai, Sushant Patel, Jayasimha Chandrashekar, Leticia Alvarez, Nisha Dhinwa, Priyum Talukdar, Swapnesh Vaigankar, Tsaring Negi, Venugopal VG, Vijay Bagodi, and Vishakha Apte.

Viewing the exhibition hall immerses visitors not only in the images but also in the processes themselves. Each printing technique leaves its unique trace, rhythm, and character on the paper. These characteristics include the direct marks of engraving, the subtlety of etching, the tonal delicacy of lithography, and the graphic immediacy of screen printing.

Elements such as line pressure, paper texture, ink density, tonal variations, and the boundary of color contact are highlighted. The act of contemplation becomes more tactile. Bakliwal explains the concept of the exhibition, stating that 'every print begins with a matrix—a carved wooden block, an etched copper plate, a lithographic stone, or a silkscreen. The matrix is where the image is born, refined, reconsidered, and ultimately realized.'

He adds that 'the matrix is the invisible beginning of every print. It contains the traces of labor, experiments, and countless artistic decisions.'

The exhibition showcases various printing methods, including xylography, etching, aquatint, engraving, drypoint, lithography, screen printing, and algraphy. Bakliwal asserts that 'the exhibition celebrates printmaking not merely as a means of reproduction, but as an original artistic practice, where every print bears witness to mastery, precision, and intention.'

Artisera hopes this exhibition will be the first in its annual series dedicated to contemporary Indian printmaking. He notes that despite its rich history, printmaking has often been underrepresented in major exhibition programs.

The gallery seeks to demonstrate both the innovation and collectible value of contemporary printmaking, thereby raising awareness of artists working in this field. Furthermore, the gallery includes interactive zones where visitors can examine tools, matrices, and trial prints before they become finished works.

Bakliwal emphasizes that 'at the heart of this exhibition lies an invitation to look beyond the finished image—to recognize the matrix as the true beginning of every print and to appreciate the dialogue between the artist, the material, and the process that gives printmaking its enduring vitality.'

The group exhibition makes this dialogue particularly vivid, allowing techniques to interact throughout the hall. The joy of surprises that printmaking exhibitions can offer is also noted: a quiet, flat image can reveal incredible depth upon closer inspection.

This opens up the possibility of encountering art through the intelligence of the hand, the chemistry of materials, and the discipline of the process. In an increasingly AI-driven era, printmaking brings the focus of creativity back to the human center.

Artisera, in collaboration with Brigade Group, has launched the national artist development program THRESHOLD. This program provides financial support, mentorship, professional development, and three exhibitions for six practicing Indian visual artists in Bengaluru, Chennai, and Hyderabad. Participants gain the chance to connect their practice with a new audience, collectors, and the broader art ecosystem, as well as access to Artisera's vetted network of clients and collectors.

Bakliwal concludes that while cities like Delhi, Mumbai, Baroda, and Kolkata have long supported important printmaking traditions, opportunities for deep engagement with this art form in Bengaluru remained limited. They hope this exhibition will help foster a sustainable community around printmaking in the city.

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