Muda L13 residential house project by Pereira Miguel architectural firm
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ArchDaily Brasil
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Muda L13 residential house project by Pereira Miguel architectural firm

The Muda L13 residential house project, presented by the project team, is located in Grandola and designed to maximize views of the small valley, as well as lighting, especially from the south and west.

A characteristic feature of the house is a set of separate parallelepiped volumes arranged orthogonally to each other. The central area of the house, which includes bedrooms, the kitchen, and a cinema room, rests on these volumes, forming an intermediate space used for the living room and circulation areas.

Each transition zone opens up different views of the surrounding environment, ensuring a constant feeling of integration with the landscape and creating an effect of light and shadow throughout the day and night. The bedrooms have a similar configuration and are equipped with private patios.

The exterior design includes a series of decking platforms that serve as pathways and connections to the bedrooms and living room. The pool is located on the southern boundary to reflect the entire front landscape and utilize the best sunlight.

The placement of the house aims for a balanced integration with the plot and existing vegetation. Located in the central part of the slightly sloping plot, the house remains within the boundaries defined by the Muda Detail Plan and strives to minimize changes to the existing topography. The area is mainly marked by the presence of pines, eucalyptus, and acacias, while closer to the small water line on the western boundary, the vegetation is denser.

The organization of the volumes allows for various relationships between private spaces and common areas. The bedrooms have a similar layout, although with variations in size and window placement, and are protected from the rest of the program by thick walls and independent roofs. Each private patio also provides light and ventilation for the corresponding bathroom.

The difference in heights between the volumes of the bedrooms, kitchen, and garage and the main living area creates a dynamic perception of the dwelling, while allowing for a more spacious ceiling in the social area and large glazed surfaces facing the landscape.

The materiality is intended to emphasize the connection to the place. The exterior walls are clad with cork tiles and covered with ochre-toned lime plaster, while treated wood is used for doors and exterior decking. Inside, microcement flooring and white walls and ceilings create a restrained aesthetic, leaving light, shadow, and landscape to play the central role in the impression of the house.

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Renovation and Expansion Project of the Californian House Casa Maribyrnong I by Studio Ceravolo
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Renovation and Expansion Project of the Californian House Casa Maribyrnong I by Studio Ceravolo

The design team presented the concept for the renovation and expansion of a bungalow located in California. The design was conceived to take advantage of the large amount of natural light and celebrate the evolution of time throughout the day.

The main objective of the project was to renew and increase the existing residence. Therefore, the architecture team decided to deviate from more formal approaches, seeking to create a project that was aligned with the current moment and met the demands of a young family.

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Information about the project was released by the design team, citing it as "Casa Maribyrnong I / Studio Ceravolo".

PR21 House designed by Alventosa Morell Arquitectes in Badalona
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PR21 House designed by Alventosa Morell Arquitectes in Badalona

The PR21 House, developed by the firm Alventosa Morell Arquitectes, was built on a narrow plot with sea-facing terraces, located in Badalona. The residence utilizes the full width of the lot and extends over four floors, complemented by an accessible roof area.

The project was conceived to meet the needs of a family consisting of three individuals. The organization of daily routine in the house is achieved through a succession of spaces, where structure, lighting, and voids define the internal experience.

The choice of a restricted range of materials and the use of white surfaces facilitate the circulation of natural light between the facades, making luminosity the primary organizing factor of the project.

Casa Sombras Architectural Project in Zihuatanejo: Transforming a Slope into a Living Space
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Casa Sombras Architectural Project in Zihuatanejo: Transforming a Slope into a Living Space

One of the owners of Casa Sombras explains that inspiration comes from the heavens, resides there, and descends into the workshop, taking shape. This poetic metaphor reflects the organization of the residential house, which transforms a slope over 15 meters high into a sequence of places for contemplation, relaxation, and creativity.

Located in Cerro del Vigia, on one of the highest hills of Zihuatanejo, the house overlooks the bay and the Pacific Ocean. The project was conceived as a permanent residence for a creative couple who, after visiting various cities in Mexico, chose Zihuatanejo to establish their permanent home.

The house program included three bedrooms, an art studio, reading and audiovisual leisure areas, as well as an extensive common area organized around the kitchen. The owners aimed for architecture with clean lines and restrained composition, viewing the building as an author's work where every element served a specific purpose.

The steep gradient of the terrain, with a difference of more than 15 meters between the access road and the lower street, defined the structure of the project. The solution was to distribute functional zones across three levels so that the house was not perceived as a massive structure of that height. From the street, the facade is predominantly solid, ensuring privacy and presenting a single-level composition. The upper volume seems to rest upon the rest of the structure, like an object placed on a pedestal, while most of the living space slopes down toward the landscape.

Passing through the closed facade, the space suddenly opens up to the bay. The living room, dining room, and kitchen form a continuous environment that extends to the terrace and infinity pool, making the transition between interior, exterior, and horizon almost imperceptible.

From this level, a staircase leads to the upper volume, which houses the master bedroom, library, and TV lounge; another staircase descends to the guest bedrooms and art studio. The house is understood as a body with a mind and heart: relaxation and contemplation are concentrated above, and creativity below.

The name Casa Sombras does not come from dark shades, but from the need to find shelter from the intense climate of Zihuatanejo. Setbacks between volumes, deep recesses, covered passages, and perimeter flowerbeds create shade, filter solar radiation, and protect privacy without disrupting the connection to the landscape.

Materiality enhances the restrained character of the project through a palette of white, gray, black, and natural tones. Cladding made of paving stones retains its original color without pigment addition and combines with gray marble, clay brick, parota wood, and local aggregates. River pebbles, individually placed at the bottom of the pool, continue this connection with the environment. Considering the seismic activity of the region, the construction utilizes reinforced load-bearing walls and concrete structural elements.

Casa Sombras strives not to dominate the environment. Its height respects neighboring views, its massing follows the slope, and its palette allows vegetation, the bay, and light to be the true protagonists. After moving in, the house found its meaning in the daily experience of its owners: 'We feel like we belong here.'

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