Paul Bernier's architecture transforms 70s house into primary residence in Chérive
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Paul Bernier's architecture transforms 70s house into primary residence in Chérive

The house located in the Chérive condominium in Magog, built in the 1970s, was originally conceived as a summer chalet. After being renovated over the years to serve as a family vacation home, it is about to be adapted to become its owners' main residence.

The main objectives of this architectural project included maximizing natural light intake, exploring the spatial potential of the land, and improving internal circulation, all while preserving the inherent characteristics of the building and its location.

The original structure of the house presented itself as a long and narrow shape, situated on a partially wooded lot. On the upper floor, two intersecting roof structures crossed the main body perpendicularly, housing two small rooms on the mezzanine level. This cross-shaped configuration, previously discreet, was highlighted by expanding these two existing projections, resulting in the creation of two new wings: the main entrance and the enclosed internal patio. The new access wing connects to the central volume at a right angle, and at the junction of the two elements, a slightly recessed glazed vestibule signals the house's entrance, promoting a luminous passage into the interior.

In contrast, on the opposite side, an identical volume houses the enclosed veranda, which has a Douglas fir structure. This space functions as a transition zone, extending the living areas towards the garden, and is strategically positioned between the living room and the kitchen.

Starting from the entrance hall, movement within the building's cross arrangement flows organically. An axis running through the building unites the main entrance, the vertical circulation, and the enclosed patio, while two linear axes following the facades traverse the social spaces, which have been cleared of any partitions.

The kitchen and dining room areas, located to the south, transitioned from dark and divided environments to become the illuminated core of the residence. Large openings facing the backyard and the existing skylight, now fully exposed in the center of the space with a double-height ceiling, flood the area with natural light. The kitchen was also expanded by a projection on the front facade, which increases work surfaces and frames views of both the wooded area and the main entrance.

These modifications cause a profound change in the way the house is lived in. Previously inward-looking, it now presents itself open and airy, bathed in light and in constant connection with the external environment, without losing its characteristic coziness.

Raw materials are fundamental to the design. Natural stone and wood, already present in the original dwelling, lend the spaces a warm and unique atmosphere. The colored slate flooring adds a distinctive touch to the environment: red in the kitchen and green in the living room. Great care was taken to maintain the floor tiles during construction. Furthermore, solid structural wood is kept visible whenever it appears, standing out with subtle elegance and reinforcing the timeless identity of the house.

The project demonstrates the latent potential of a residence whose qualities were already present. Thus, the house acquires new vitality, becoming more suitable for the daily life of its residents while preserving the welcoming character that defines it.

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The Breeze House, a new construction project located in Madrid, manifests the central principles of the Ábaton office's philosophy. It is a contemporary residence that uses nature and light as structuring elements, taking advantage of the qualities of a plot with great potential to create a home that merges with the external environment.

The building is distributed over two floors, respecting the topography of the site. The slope of the land was used to adapt the spaces according to their function and degree of privacy. At the entrance of the lot, on the lowest level, is the lower volume facing north, intended for social areas to receive visitors and guests.

On the upper floor, positioned in the best part of the land, the second level of the house was implemented, where the most intimate areas are organized around an oak tree that offers dominant views and guides the arrangement of the rooms. Autonomous volumes, arranged in a fan shape, surround the oak and establish a visual connection with an extensive lawn situated to the south, a source of natural light and warmth.

The daily use spaces are directed towards this southern area: the living room, dining room, and kitchen face east, while the bedrooms, offices, and children's area are located to the west. The separation between these zones is achieved by a staircase or circulation area that functions as a visual void between the volumes. This sculptural element, which dynamizes the space and relates to the external views, constitutes the only passage area of the house, eliminating spatial divisions.

The environments maintain direct contact with each other, distinguishing themselves through height variations that seek to cause surprise and define both internal and external functions. The architects emphasize that the large custom windows fit perfectly, allowing for cross-ventilation and integrating the interior with the external vegetation without creating visual distractions.

This concept of nullifying physical barriers between the interior and the exterior extends to other parts of the house. The living room was designed as an open veranda facing south, towards the lawn and the oak, and also has an elevated terrace to the north, ideal for summer because it is the mildest region. The kitchen, which includes a pantry area, opens to the south, visually connecting to the living room.

In the western wing, the bedrooms have direct access to the garden. The master suite, specifically, opens both to the south and to the north, featuring a private landscaped terrace. The transition to the bedroom occurs through a large walk-in closet, illuminated by a skylight, leading to the bathroom, whose focal point is a custom blue marble sink. Near the suite, the children's area is divided into a playroom and a double bedroom.

The lower level, oriented to the north, houses the garage, offices, guest rooms, service area, and a partially underground bar and cinema zone. The bar, with turquoise-toned cladding, forms a unique space adjacent to the wine cellar. The furniture and decoration design was conceived with a playful and fun character, aligned with the creative profile of the owners, incorporating versatile and functional pieces to provide exclusivity to the environments.

Renowned designers, such as Gaetano Pesce's Up armchair for B&B Italia, Franco Albini's Tre Pezzi, or Saarinen's Conference chairs, coexist harmoniously with playful rugs designed by Jaime Hayón for Nanimarquina. The choice of iconic items for each space was meticulous, including Patricia Urquiola's Husk armchair, Vitra's Bouroullec chairs, or the Sengu sofa and coffee table from Cassina.

Externally, the difference in levels is marked by a change in materiality: the upper volumes use single-layer plaster (SATE) finish, contrasting with the lower concrete level, which presents a more organic appearance due to its proximity to the ground. The entire property is surrounded by dense vegetation that complements the existing trees. The native and low-maintenance species proposed in the project vary in texture and color throughout the year, establishing a continuous dialogue between architecture and landscaping.

PR21 House designed by Alventosa Morell Arquitectes in Badalona
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PR21 House designed by Alventosa Morell Arquitectes in Badalona

The PR21 House, developed by the firm Alventosa Morell Arquitectes, was built on a narrow plot with sea-facing terraces, located in Badalona. The residence utilizes the full width of the lot and extends over four floors, complemented by an accessible roof area.

The project was conceived to meet the needs of a family consisting of three individuals. The organization of daily routine in the house is achieved through a succession of spaces, where structure, lighting, and voids define the internal experience.

The choice of a restricted range of materials and the use of white surfaces facilitate the circulation of natural light between the facades, making luminosity the primary organizing factor of the project.

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