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When the sequel to Imran Hashmi's cult classic 'Avarapan' was announced, there was huge excitement in the industry, and everyone was talking about this film. Now, almost 19 years later, Imran Hashmi is preparing to return to the big screen through this sequel on August 14th. However, his path looks difficult, and the main reason for this is Sunny Deol's upcoming film 'Bantwara 1947'.

Both films will be released simultaneously during the long Independence Day holidays, which will lead to a major clash at the box office. A natural question arises: is Imran Hashmi taking too big a risk by facing a film featuring such a large star cast as Sunny Deol's?

This grand showdown has attracted the attention of cinema audiences for very specific reasons. 'Bantwara 1947' features not only big stars but also director Rajkumar Santoshi, one of the country's best cinematographers. Looking at the history and track record, Sunny Deol and Rajkumar Santoshi have made three films together (Ghayal, Damini, and Ghatak), and all of them were box office hits. This is why audiences expect powerful and blockbuster cinema from this pair.

On the other hand, the launch of 'Avarapan 2' started very brightly. The film evoked a sense of nostalgia and great interest among viewers. But over time, due to a lack of updates and changing audience tastes, the enthusiasm around it gradually decreased. Although Imran's fans are still waiting for this film, it is slowly drifting away from the general public.

Even the magic of songs proved ineffective. Two tracks have already been released as part of the promotion for 'Avarapan 2'—the first being 'Ve Junoon' and the title song 'Ye Avarapan'. Notably, both these tracks received mixed reactions from the audience. Usually, music in Imran Hashmi's films becomes a hit, and Arijit Singh's voice touches hearts, but this time Arijit Singh's magic could not influence people as much. Viewers cannot fully connect with these songs.

Imran Hashmi's identity has always been linked to the hit and touching songs of his films. He doesn't need to dance like other actors to make a song a hit; his mere appearance on screen is enough. However, the situation looks different this time. What used to be the biggest strength in Imran's films—music—is now clearly felt as a weakness.

Interestingly, the discussion about 'Avarapan 2' is still sustained by the songs from the original 'Avarapan' of 2007. This shows that the sequel itself is still struggling to create its own identity. Nevertheless, when 'Avarapan' was released in 2007, it was not a big commercial success at the box office. Despite this, over time, the film formed a very dedicated fan base. Its songs were everywhere, and today it is considered one of Imran's most beloved works.

Overall, both major films are coming to theaters during the Independence Day holidays. The attention of industry experts is completely focused on whom the audience loves more. On one hand, 'Bantwara 1947' will try to attract the public with a sense of patriotism, a sensitive story of the partition era, and the power of the duo Rajkumar Santoshi and Sunny Deol. On the other hand, 'Avarapan 2' is betting on old nostalgia and Imran's iconic image. It is truly interesting whose name the box office will call on August 14th.

Namit Malhotra began his journey with only one Apple computer in a small garage in Mumbai. Instead of looking for opportunities in Hollywood, he focused his efforts on creating high-quality visual effects using Indian talent.

This vision later transformed into DNEG—a globally recognized visual effects studio that has worked on some of cinema's biggest blockbusters, such as 'Avatar,' 'Dune,' 'Interstellar,' and 'Odyssey.'

Today, after participating in films that have received numerous Academy Awards for visual effects, Namit is setting an even grander goal—to present 'Ramayana' to audiences worldwide using advanced storytelling methods and top-tier visual effects.

His story demonstrates that world-class quality does not necessarily have to be imported; it can be created directly in India.