As part of Barcelona's official program as a UNESCO-UIA World Architecture Center in 2026, the Barcelona Botanical Garden is hosting the exhibition 'Parlour Gardens: Dreams from the Rooftop'. This exposition displays ceramic installations, offering visitors a journey through landscape architecture.
The exhibition is curated by Marina Servera (Barcelona International Landscape Biennial, CEO of NablaBCN), James Hether (former president of IFLA, Oxigen), and Jose Luis Cortes (former president of UIA). The exhibition marks the centenary of the creation of garden miniatures (jardinets de saló) in 1926, originally conceived by Nicolaou M. Rubio and Tuduri, Lawrence Artigas, and Raul Dufy.
Installations designed by 14 international architects and landscape designers will be placed throughout the botanical garden, grouped by homoclimate zones to link each concept with corresponding regional vegetation. The exhibition runs until October 4, 2026.
In 1926, architect Nicolaou M. Rubio and Tuduri, ceramicist Lawrence Artigas, and artist Raul Dufy collaborated to create garden miniatures—small-scale ceramic worlds depicting various natural landscapes in objects small enough to fit on a table. It was the embodiment of the largest architecture in miniature form.
One of the works, first presented in the Bernheim-Jeune galleries in Paris in 1927, now stands alongside fourteen new pieces commissioned for the 'Parlour Gardens' exhibition at the Barcelona Botanical Garden. This garden is a 14-hectare ecological showcase in Montjuïc, designed for the 1992 Olympic Games by Carlos Ferrater, Josep Lluís Canoso, and Bet Figueras. The subtitle 'Dreams from the Rooftop' refers to the terrace as a place of experimentation for sustainable living in modern cities—an everyday space for testing ideas aimed at a more sustainable urban future.
The invited specialists work across five regions of the planet's Mediterranean homoclimate: California, Chile, South Africa, Australia, and the Mediterranean Basin. Each model is located in a sector of the garden that recalls the region of its creator.
The exhibition includes three models from southern Australia: works by Adrian McGregor (McGregor & Coxall), Peter Stutchbury (Peter Stutchbury Architecture), and Phil Harris (Troppo Architects). Two models from the African continent are also featured: works by Gareth Doherty (NUS Critical Landscapes Design Lab) and Tanya Klitsner and Lowell Friedman (TK Landscape Architecture). Three models from California, USA, were created by James Corner (Field Operations), Adam Greenspan (PWP Landscape Architecture), and Walter Hood (Hood Design Studio). Five models from the Mediterranean zone belong to Catherine Mosbach (Mosbach Paysagistes), Tomas Doxiadis (Doxiadis+), Jale Mahzumi and Abdul-Halim Jabr, Camel Louafi (Louafi Landschaftsarchitekten), and Teresa Moller (Teresa Moller Paisajista).
The exhibited objects are rooftop garden projects measuring 45 x 45 x 25 cm, covering all aspects—from ceramic container design to planting scheme. The contemporary models were made in Barcelona from glazed ceramics, combining advanced clay jet 3D printing technology with traditional craft methods, and contain live Mediterranean species. Each model is displayed directly on its wooden transport crate, and each garden is planted and maintained according to its author's specifications, functioning as a living work of art in constant evolution.
As their creators explain, these works aim to offer the public a modern interpretation of ecological sustainability, translating the specific imagination of a garden into a material object. A walk through the homoclimate zones of the Botanical Garden invites visitors to reflect on the relationship between urban gardening and climate, as well as the tradition and future of domestic landscape design.
The exhibition will conclude on October 4th with an event dedicated to technology and beauty, featuring participants from different continents. Other architectural exhibitions held worldwide include the MoMA Architects of Liberation: Modernism in Western Africa exhibition, open until January 2, 2027, which explores modern African architecture from the late 1950s to the early 1980s through the lens of political independence in the region. Until August 19, the Aedes forum in Berlin presents 'A Structure of Feeling: On a New Generation of Architects in China', showcasing the work of nine firms in twelve projects transforming existing urban fabric, rural development, and contemporary forms of spatial production. The Italian Cultural Centre of Europe has announced the finalists of the ECC Awards within Personal Structures – Confluences, the eighth edition of its international contemporary art exhibition, which runs parallel to the Venice Biennale of Arts.



