Colombian singer Shakira and dancers participated in the semi-final show of the 2026 FIFA World Cup. This performance took place on July 19, 2026, at the New York/New Jersey stadium in East Rutherford during the final match between Spain and Argentina.
The Ghetto Kids group amazed the audience by joining Shakira during the World Cup semi-final show. These children, who gained fame through street dance videos filmed in the capital of Uganda, received an invitation from Shakira. The invitation was given after the singer saw a clip of their improvised choreography to her song from the movie 'Zootopia 2' titled 'Zoo.'
Ghetto Kids, along with global star Shakira and Burna Boy, performed the official anthem of the 2026 World Cup, 'Dai Dai.' The group shared a video of their performance with 9.8 million followers on Instagram, accompanying it with a caption stating that dreams truly come true.
Initially gaining popularity as 'Ghetto Kids Triplets,' this talented collective consists of young dancers and teenagers from low-income areas of Kampala. The group first attracted the attention of the global community in 2014 by presenting their moves in the official video for Eddie Kenzo's hit 'Sitya Loss.' They later achieved a surge in fame through their impressive participation in the show 'Britain's Got Talent' in 2023. The group's performances on the international stage were highly praised by fans, allowing them to gain many new followers.
After the performance, users on social media expressed admiration. For example, daniellebilumbu wrote on Instagram: '😍👏🔥OMG! I am so proud of you. Dreams really come true! The show is amazing. May God bless you today and always 🙏🏽 Shakira, you are an angel.' Dr Babe also commented: 'I was so happy to see this! It means so much to me 😍🔥 Sending you love from Zambia 🇿🇲 😍.' And actress Kate wrote: '👏🏾👏🏾👏🏾 We want to see how the lives of these talented children transform. We love you.'
There is a significant change in the SABC 1 schedule as the program 'Generations: The Legacy' changes its usual weekday broadcast time at 20:00 for the first time in over three decades.
Starting Monday, July 27, 'Generations: The Legacy' will be broadcast at 20:30. This frees up the 20:00 slot for the program 'Uzalo', which will now occupy that time as part of the broadcaster's large-scale prime-time grid restructuring.
SABC 1 asserts that this change does not represent a decrease in quality for one of the country's most well-known television dramas. Instead, the broadcaster calls it a strategic adjustment that allows it to keep both of its most popular soap operas in prime time.
SABC 1 Head, Ofentse Tinanane, emphasized that 'Uzalo' and 'Generations: The Legacy' remain key elements of the channel's evening programming. He noted that both shows 'created these evenings together' and continue to hold a central place in SABC 1's prime time. Tinanane explained that starting July 27, they are simply swapping places, and viewers will be able to enjoy both shows consecutively, as 'Generations: The Legacy' is not leaving prime time but rather 'closing' it.
For viewers, the main change is merely a shift in routine, as both soap operas will air one after the other, but in reverse order.
The new weekday evening schedule on SABC 1 starting July 27 is as follows: 'Skeem Saam' will air at 19:30, 'Uzalo' at 20:00, and 'Generations: The Legacy' at 20:30. SABC also announced that additional changes to the program will be made on the same day.
Although SABC has not provided a detailed justification for the schedule change, its timing has led to speculation about increasing competition for viewer attention during prime time. This move came just a few weeks after e.tv launched its new drama series 'The Four of Us' in the coveted 20:00 slot.
Some TV experts believe that moving 'Uzalo', one of South Africa's most-watched programs, into this slot may help SABC 1 strengthen its position in the face of heightened competition, while allowing 'Generations: The Legacy' to conclude the channel's prime time. This strategy is also similar to an earlier decision to move 'Skeem Saam' to 19:30, where it continues to attract a strong evening audience.
The schedule change occurs during an emotional period for long-time fans of 'Generations' following the death of veteran cast member Seputala Sebogodi. His portrayal of the ruthless Kenneth Mashaba made him one of the most memorable villains of the original 'Generations' and cemented his place in South African television history. Despite viewers having to tune in 30 minutes later, 'Generations: The Legacy' remains one of South Africa's most enduring television brands.
Casa Glade is located on a spacious plot in the central area of Singapore, featuring a wide facade facing the public road. The project's design employs a layered facade, which allows to shield the family's private life from the external environment while preserving a significant connection with the surroundings.
Despite the tropical climatic conditions, the residence was conceived to maintain a ventilated and cool environment, ensuring residents an enjoyable and comfortable living experience.
During the recording of the seventh episode of the podcast Room For Dreams, held as part of Milan Design Week 2026 in collaboration with INDX|GLOBAL, architects Priyanka Mehra, Simran Boparai, Ashmit Singh Alag, and Adreesh Chakraborty analyzed the constantly changing and often contradictory relationship between exclusivity, sustainability, and purposeful craftsmanship.
The participants presented various perspectives on defining luxury. One position relies on traditional attributes such as absolute exclusivity, silence, comfort, and privacy. Another viewpoint emphasizes public infrastructure, arguing that high-quality architecture and art should occupy shared public spaces rather than private residences.
This focus on durability inevitably leads to a discussion of local craftsmanship. The architects view handmade items as a conscious alternative to mass industrial production. They note that manual construction techniques bring a human element into modern interiors that is ignored by automation. This slower approach also shapes their understanding of sustainability, especially when seeking a balance between material excess—historically linked to high design—and passive, low-tech solutions required for net-zero buildings.
