During the broadcast of the 2026 FIFA World Cup final on Zo‘r TV, Uzbek viewers encountered a large number of commercial breaks, which prevented them from fully enjoying the show. Users are actively expressing dissatisfaction on social media, noting that the broadcast resumed only when Shakira finished her performance.
The final match between the Spanish and Argentine national teams was held at MetLife Stadium in the USA. During the match break, a major FIFA show featuring global stars such as Shakira, Justin Bieber, Madonna, BTS, Burna Boy, Dai Dai, Coldplay, and conductor Gustavo Dudamel was organized.
However, fans who followed the event via Zo‘r TV were disappointed. They claim that immediately after the break was announced, the channel began showing an advertising block, causing viewers to miss a significant part of the concert program, which was an important part of the football event.
One viewer expressed his indignation, stating: 'The concert was missed; the broadcast started when Shakira was already finishing her song.' The situation attracted the attention of the professional community. Media producer Ali Kakhorov pointed to a possible violation of legislation, citing Article 27 of the 'Advertising Law,' which stipulates that the total duration of advertising within an hour must not exceed 20% of the total broadcast time, meaning no more than 12 minutes.
According to Kakhorov's estimates, the share of commercial spots per hour during this historic 2026 World Cup final could have reached approximately 30% of the airtime.
Active discussion continues on social media regarding the incident, where sports enthusiasts emphasize the need for broadcasters to respect the audience and maintain balance so that commercial interests do not overshadow the key and most spectacular moments of major international events.
The Committee for Competition Development and Consumer Rights of Uzbekistan commented on this situation. The agency stated that it is impossible to draw a final legal conclusion without a comprehensive study of all circumstances. The Committee recommended seeking clarification directly from the television channel's representatives, as issues of advertising placement and broadcast organization fall under the channel's competence.
The editorial team of Podrobno.uz attempted to contact Zo‘r TV for explanations regarding the length of the advertising blocks and the reasons for interrupting the broadcast during the show, but no official response was received from the channel's representatives after multiple referrals by the correspondent between different departments.
It should be recalled that the Spanish national team won the 2026 World Cup, defeating Argentina in the final. During the main time of the match, the Argentine team failed to score a single shot on goal against its opponent.
Jessica Alba has joined the cast of the remake of the popular romantic comedy '13 Going on 30,' which will be released on the streaming platform Netflix. Her participation adds more interest to this project, which updates the beloved comedy for fans.
According to available information, Alba signed a contract to work with Emily Bader, Logan Lerman, and Adeline Rudolph in the new version of the 2004 classic film. Although details about her character have not yet been revealed, Alba shared her excitement on Instagram, writing: 'This is one of those movies that never truly gets old. I am thrilled about the opportunity to participate in reimagining such a cult film alongside an incredible cast and creative team.'
Brett Haley directed the remake, who previously worked on the Netflix hit 'People We Meet on Vacation.' The screenplay was written by Hannah Marks, with edits from Flora Greeson. Among the familiar faces returning to the franchise is Jennifer Garner, who played Jenna Rink in the original movie. This time, Garner serves as an executive producer, helping to present the story to a new generation of viewers.
The original film '13 Going on 30,' released in 2004, told the story of 13-year-old Jenna Rink. After an awkward party, she makes a wish and wakes up as her 30-year-old self. Forced to navigate adult life in one night, Jenna discovers that growing up is different from what she imagined, trying to find her way back to the people and life that truly matter to her. In the original, Garner starred opposite Mark Ruffalo, whose portrayal of childhood best friend Matt Flammhoff became one of the film's most beloved characters. The romantic comedy became a fan favorite, grossing nearly $96 million (1.57 billion rubles) worldwide, and later gained even wider audiences through home entertainment and streaming.
In the new project, Bader and Lerman will take on the leading roles, while Alba joins actors including Taylor Ortega, Tim Meadows, and Dan Bucatinsky. Discussing the pressure associated with revisiting such a beloved film, Haley stated in an interview with 'Tudum' that '13 Going on 30' is a rare, perfect film—funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo, and Judy Greer. He added that as a long-time fan, participating in this reimagining comes with great responsibility, and Jennifer Garner's presence as an executive producer after her significant role in creating the original is particularly meaningful.'
Filming for the movie has already begun in Los Angeles, but Netflix has not yet announced a release date.
The initiative known as 'Sugar House+', launched in 2022, aims to recover the latent potential of an old state-owned sugar refinery located in Yangshuo. This site underwent restoration between 2013 and 2017, led by architect Zhao Chongxin, while Dong Gong finalized the guest rooms and overall organization, establishing the spatial foundation of the hotel.
The project integrates smaller new structures that function as connection points for dispersed and underutilized spaces. Included elements are the Waterside Pavilion, the Hillside Pavilion, a DJ booth, and the Qushui Restaurant, which was added later.
The Waterside Pavilion is positioned next to the water, on the north side of the courtyard, featuring an extensive horizontal projection. This structure marks the historical entrance of the sugar refinery and provides a visual support for the mountains in the background. Its notable design has a large cantilever with only 6 cm thickness, allowing a balance between visual lightness and structural rigor, resulting in a delicate and agile appearance. When viewed along the central axis of the refinery, the horizontal extension of this pavilion establishes a dialogue with the mountains rising in the background plane.
Located at the southern base of the hill, beneath the climbing wall, the Hillside Pavilion, together with the Qushui Restaurant, the Rumu Fire Pit outdoor fireplace, and the pump house, forms a linear cluster along the slope. This structure was implemented on a platform surrounded by trees, including a type of cinnamon tree (*Cinnamomum japonicum*) at the rear right. The project follows the contour of the tree, embracing the terrain with a curved shape and using shade as natural protection, while a free resting area provides panoramic views toward the cliff. A semicircular window facing the main building directs the gaze towards the Karst Garden and the main edifice, echoing the limestone cave with a bamboo structure and creating a dialogue with the central architecture. The Hillside Pavilion serves to anchor the topographical continuity between the grassy area and the climbing zone in a specific way.
The DJ booth occupies the central interior space of Bar 1969, which was adapted from the old pressing workshop. Although the location retains three original floor levels, a glass platform covered the damaged areas, and the juice extraction pit was leveled, leading to the loss of much of the original industrial texture. Like the pavilions, the DJ booth is molded in monolithic concrete and suspended over the foundations of the pressing equipment, its dimensions adjusted to the width of the pressing channel. Taking advantage of internal level differences, the booth was conceived as a set of multiple floor levels to support various functions. While occupying the former space of the machinery, it maintains a subtle relationship between new furniture and industrial vestiges; its sculptural form seems to emerge from the ruins, conveying a feeling that is simultaneously historical and contemporary.
Through this discreet intervention with the structures, the 'Sugar House+' project managed to reveal the spatial potential of the site, consolidate the operational scenarios of the hotel, and intensify the spatial tension between the natural landscape and the industrial legacy, promoting spatial complementarity and improving the character of the existing structure.
Music has the ability to bring people closer. At the University of the People's Universities of China, young people from China, the United States, and the United Kingdom participated in a special choral exchange program.
Participants shared the stage, told stories, and found common ground thanks to the power of music. Beyond the performance itself, it became a moment of intercultural interaction where people from different backgrounds met, friendships began, and music served as a link between young hearts.
CGTN correspondent Wang Tao explores how a simple melody helped bring together youth from different countries. Furthermore, the organizers invite the audience to share their views on China by creating a video showcasing China through their own talent, creativity, or personal stories, using the hashtag #GenCoolChallenge.
